Available Formats
Music in Shakespeare: A Dictionary
By (Author) Professor Christopher R. Wilson
By (author) Dr Michela Calore
Bloomsbury Publishing PLC
Continuum International Publishing Group Ltd.
1st December 2005
United Kingdom
General
Non Fiction
Music reviews and criticism
Classic and pre-20th century plays
Literary studies: c 1600 to c 1800
Theory of music and musicology
822.33
Hardback
528
Width 156mm, Height 234mm
Musical references, allusions to music, and music stage directions abound in Shakespeare, ranging from simple trumpet flourishes to sophisticated, philosophical allegory. Music in Shakespeare: A Dictionary identifies all musical terms found in the Shakespeare canon. An A-Z of over 300 entries includes a definition of each musical term in its historical and theoretical context, and explores the extent of Shakespeare's use of musical imagery across the full range of his dramatic and poetic work. Music in Shakespeare also analyses the usage of musical instruments and sound effects on the Shakespearean stage, providing descriptions of the instruments employed in the Elizabethan and Jacobean theatres. This is a comprehensive reference guide for scholars and students with interests ranging from the thematic and allegorical relevance of music in Shakespeare's works to the history of performance. It is also aimed at the growing number of directors and actors concerned with recovering the staging conditions of the early modern theatre.
This book maintains the high quality of previous volumes in the Athlone Shakespeare Dictionary Series...This is an authoritative volume that will be an important addition to collections in Elizabethan literature and music."- -- American Reference Books Annual
'essential reading for historians and performers alike.' Ros King, Times Literary Supplement, 2007 -- Ros King * Times Literary Supplement *
Christopher R.Wilson is Professor in the Department of Music at the University of Hull, UK. He has published on English music/words topics from the late medieval period to the 20th century. Michela Calore is an independent scholar who specializes in the staging conditions of the Elizabethan theatre. She hasa particular interest in the Rose theatre and the repertoire of the Admiral's Men, and has published articles on the language and staging of plays written in the 1580s and the 1590s.