Reading the River in Shakespeare's Britain
By (Author) Bill Angus
Edited by Lisa Hopkins
Edinburgh University Press
Edinburgh University Press
9th June 2026
United Kingdom
Professional and Scholarly
Non Fiction
Literary studies: c 1400 to c 1600
Literature: history and criticism
Paperback
296
Width 156mm, Height 234mm
In Shakespeare's Britain rivers were not only a crucial form of travel and important natural resources which sustained communities and provided employment but were also sites to which myths and memories accrued and which could be used to figure religious ideas of cleansing and the waters of life. Pageants were performed on them, legends grew up about their names and led to plays and poems being written about personified river gods and goddesses, and stories were told of historic battles which had been fought on their banks. These essays explore the cultural and literary geography of rivers in the early modern period and the ways in which they shaped the lives and identities of those who lived near them. By charting changes (both manmade and natural) to the way in which rivers ebb and flow the book also reminds us of the urgency of the climate crisis.
This is a breakthrough gathering of interdisciplinary essays rediscovering the dynamic turbulence between rivers physically altered by natural and human pressures and the period's political, industrial and demographic changes. Reading the River in Shakespeare's Britain is an inspiring model of how to shift the environment from the backdrop of human-centred affairs to the compelling forefront of revisionist cultural geography and eco-history.--Randall Martin, University of New Brunswick
Bill Angus is a Senior Lecturer in English at Massey University, New Zealand. He has written extensively on early modern drama and material culture. His books with Edinburgh University Press include Metadrama and the Informer in Shakespeare and Jonson (2016), Intelligence and Metadrama in the Early Modern Theatre (2018), Reading the Road, from Shakespeare's Crossways to Bunyan's Highways (2019), co-edited with Lisa Hopkins, and his last monograph, A History of Crossroads in Early Modern Culture (2022). His latest edited collection Poison on the Early Modern English Stage, co-edited with Kibrina Davey and Lisa Hopkins, was published in 2023.