Screening Gender in Shakespeare's Comedies: Film and Television Adaptations in the Twenty-First Century

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Description

When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. The book analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. The book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. The book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.

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Magdalena Cieslaks Screening Gender offers insightful readings of Shakespeares romantic comedies and their representation in twenty-first-century film. In a comprehensive survey, she identifies the early modern constructions of gender, marriage, and female sexuality embedded in Shakespeares texts and illuminates the ways they are replicated and sometimes interrogated in cinematic adaptations. -- Virginia Mason Vaughan, Clark University

Author Bio

Magdalena Cielak is assistant professor of English at the University of d.