Shakespeare in the Theatre: Mark Rylance at the Globe

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Shakespeare in the Theatre: Mark Rylance at the Globe Each volume in the Shakespeare in the Theatre series focuses on a director or theatre company who has made a significant contribution to Shakespeare production, identifying the artistic and political/social contexts of their work. The series introduces readers to the work of significant theatre directors and companies whose Shakespeare productions have been transformative in our understanding of his plays in performance. Each volume examines a single figure or company, considering their key productions, rehearsal approaches and their work with other artists. Since its opening in the late 1990s, the reconstructed Shakespeares Globe Theatre has made an indelible impression on the contemporary British theatre scene. This book explores the theatres first decade of productions under the pioneering leadership of Sir Mark Rylance. Drawing upon an extensive range of material from the theatres archive, interviews with Globe practitioners, and Rylances own personal archive, this book argues that the Rylance era was a ground-breaking and important period of recent theatre history. It concludes with an in-depth interview with Rylance himself. The book gives a unique insight into Rylances practice and impact, and will be of interest to anyone studying Shakespeare in performance. Stephen Purcell is Associate Professor of English at the University of Warwick. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include the books Popular Shakespeare and Shakespeare and Audience in Practice. He also directs for the open-air theatre company The Pantaloons. Series Editors: Bridget Escolme, Queen Mary University of London, UK, Peter Holland, University of Notre Dame, USA and Farah Karim-Cooper, Shakespeares Globe, London ,UK.

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Invaluable to scholars of performance, adaptation, contemporary productions of Shakespeare, and twentieth- to twenty-first-century commercial theatrical culture Purcell draws extensively on Rylances own archive of the period, and a long concluding interview opens a fascinating window into the impressions, memories, and ideas of this most creative of contemporary Shakespeareans. * SEL: Studies in English Literature 1500-1900 *

Author Bio

Stephen Purcell is Assistant Professor of English at the University of Warwick. His research focuses on the performance of the work of Shakespeare and his contemporaries on the modern stage and screen, and his publications include the books Popular Shakespeare and Shakespeare and Audience in Practice. He also directs for the open-air theatre company The Pantaloons.