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T.S. Eliot's Dramatic Theory and Practice: From Sweeney Agonistes to the Elder Statesman
By (Author) Carol H. Smith
Princeton University Press
Princeton University Press
15th February 2016
United States
Tertiary Education
Non Fiction
822.912
Paperback
264
Width 127mm, Height 203mm
255g
Although there have been innumerable studies of T. S. Eliot, this is the first to examine closely the changes in his dramatic practice and to relate them to his artistic and intellectual development. Professor Smith finds Eliot's dramatic theory rooted in his conception of the need for order in religion and art; she traces this concept as it evolve