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Reframing Yeats: Genre, Allusion and History

(Paperback)

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Publishing Details

Full Title:

Reframing Yeats: Genre, Allusion and History

Contributors:
ISBN:

9781474222853

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

22nd April 2015

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Literary studies: c 1800 to c 1900
Literary studies: c 1900 to c 2000

Dewey:

821.8

Physical Properties

Physical Format:

Paperback

Number of Pages:

224

Dimensions:

Width 156mm, Height 234mm

Weight:

290g

Description

Reframing Yeats, the first critical study of its kind, uses a focus on genre and allusion to engage with a broad range of W. B. Yeatss writings, examining instances of his poetry, autobiographical writings, criticism, and drama. Identifying a schism in recent Yeatsian criticism between biographical and formalist methodologies, Armstrongs study combines an historicist perspective with close attention to literary form. The result is a flexible approach that casts new light on how Yeatss texts interact with their interpretative frameworks. Cognizant of both literary and political history, this book presents new interpretations of Yeatss work. Not only does it provide fresh readings of texts such as The Municipal Gallery Re-visited, Among School Children and "The Resurrection", but it also raises important new questions concerning Yeatss relationship to Modernism and literary genre.

Reviews

[Reframing Yeats is] an intellectually nuanced, theoretically contextualized study of Yeatss multifaceted engagements with literary genres and previous authors ... both illuminating and highly accomplished. -- Nels Pearson, Fairfield University * Review of English Studies *
[Reframing Yeats] avoids the monolithic works that tend to prop up other critical books on Yeats ... Armstrong is good on the topic of vox populi, Yeatss complex engagement with his reading and spectating public, arguing that Despite being fascinated by the fixity and quasi-autonomous power of the written word, Yeats had little time for those who saw poetry as something created autonomously out of the subjectivity of the poet. * The Year's Work in English Studies *

Author Bio

Charles Ivan Armstrong is Professor of British Literature, University of Agder, Norway.

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