Much Ado About Nothing: Language and Writing

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Much Ado About Nothing presents a world of glittering surfaces and exquisite social performances. The language of the play sparkles with a fireworks of wit and dazzling bouts of repartee, most memorably in the "merry war" of words between the reluctant lovers, Benedick and Beatrice. A closer look at the language of the play, however, reveals it to be laced with violence and charged with the desire to humiliate others. Wit is deployed as a weapon to ridicule one's opponent; much of the humour circulates incessantly around the theme of cuckoldry, a major source of male anxiety in the period. The most drastic use of language is to slander Hero by accusing her of a lack of chastity - an accusation that spelt social death for a woman in the early modern age. The death that Hero feigns mirrors accurately the devastating effects of the assassination of her character by the smart set of young noblemen in the play. This study guide focuses on examining the array of the uses of language that the play displays, and probes into the ideas about language that it explores. The book looks at key film versions of the play by Kenneth Branagh and Joss Whedon which are often used on courses, whilst also offering practical questions and tips to help students develop their own critical writing skills and deepen their understanding of the play.

Reviews

With an expert hand Ghose orients students to the generic wobbliness of a comedy that seems to kill off its female Hero, then moves in to assess the plays language as it produces such effects as character, rhetoric, the mood of romance, and the sense of shame Discretion over consistency in format and emphasis is no doubt a reason that the series, under the editorship of Dympna Callaghan, has attracted such excellent contributors. Its latest companions are boons for those teaching writing-intensive courses, as well as for those simply seeking better essays from their students. * Studies in English Literature 1500-1900 *
Ghose nicely balances an easy-going critical style with some real perspicacity. She deftly provides the cultural context required to make sense of behavioural codes such as early modern notions of honour, masculine supremacy and sprezzatura ... A precise and concise critical account - highly recommended. * Times Higher Education *
[Ghoses] discussion is precise and concise and she deftly provides the cultural context required in order to make sense of now outmoded behavioural codes such as early modern notions of honour, masculine supremacy or sprezzatura [An] excellent volume. * Cahiers lisabthains *

Author Bio

Indira Ghose is Professor of English Literature, University of Fribourg, Switzerland.