Available Formats
Nabokov's Women: The Silent Sisterhood of Textual Nomads
By (Author) Elena Rakhimova-Sommers
Contributions by Elena Sommers
Contributions by Sofia Ahlberg
Contributions by Marie Bouchet
Contributions by Julian W. Connolly
Contributions by David Larmour
Contributions by David Rampton
Contributions by Matthew Roth
Contributions by Susan Elizabeth Sweeney
Contributions by Lara Delage-Toriel
Bloomsbury Publishing PLC
Lexington Books
23rd May 2019
United States
Professional and Scholarly
Non Fiction
Feminism and feminist theory
Literary studies: c 1900 to c 2000
Literary studies: fiction, novelists and prose writers
891.7342
Paperback
274
Width 154mm, Height 221mm, Spine 20mm
413g
Nabokovs Women: The Silent Sisterhood of Textual Nomads is the first book-length study to focus on Nabokovs relationship with his heroines. Essays by distinguished Nabokov scholars explore the multilayered and nomadic nature of Nabokovs women: their voice and voicelessness, their absentness, the paradigm of power and sacrifice within which they are situated, the paradox of their unattainability, their complex relationship with textual borders, the travel narrative, with the author himself. By design, Nabokovs woman is often assigned a short-term tourist visa with a firm expiration date. Her departure is facilitated by death or involuntary absence, which watermarks her into the male protagonists narrative, granting him an artistic release or a gift of self-understanding. When she leaves the stage, her portrait remains ambiguous. She can be powerfully enigmatic, but not self-actualized enough to be dynamic or, for even where the terms of her existence are deeply considered or her image beheld reverently, her recognition seems to be limited to the Works Cited register of the male narrators personal life. As a result, Nabokovs texts often feature a nomadic woman who seems to live without a narratorial homeland, papers of her own, or storytelling privileges. This volume explores the residency status of Nabokovs silent nomadshis fleeting lovers, witches, muses, mermaids, and nymphets. As Nabokov scholars analyze the power dynamic of the writers narrative of male desire, they ponderare these female characters directionless wanderers or covert operatives in the terrain of Nabokovs text Whereas each essay addresses a different aspect of Nabokovs artistic relationship with the feminine, together they explore the politics of representation, authorization, and voicelessness. This collection offers new ways of reading and teaching Nabokov and is poised to appeal to a wide range of student and scholarly audiences. Chapter 4, "Nabokov's Mermaid: 'Spring in Fialta'" by Elena Rakhimova-Sommers, is not available in the ebook format due to digital rights restrictions. You can find the earlier version of the chapter in the journal Nabokov Studies.
Shrinking violets no more: A liberating look at Nabokovs fictional women and a much needed and long overdue addition to Nabokov Studies! -- Galya Diment, University of Washington
Rakhimova-Sommers (Russian/global literature, Rochester Institute of Technology) brings together 11 Nabokov scholars to study the thorny question of the role of women in his work. Her exemplary introduction succinctly describes not only the content but also the critical approaches most Nabokovians have used to assess the place and importance of womens voices in the writers narration. She also provides an intelligent, enlightening, and concise survey of the way women in Nabokovs works have, in the main, been categorized by Nabokov's critics: i.e., as passive participants in the male narrators active storytelling. The essays. . . fall into three categorieswomen as fugitive souls, women as figments of desire, and women as lost voicesand the editor arranges the volume accordingly. This collection is a most welcomeand timelyaddition to Nabokov criticism. At last scholars are illuminating the fact that women play a more prominent role in narration and the narrative than previously suggested. Required reading for scholars and students interested in Nabokov or womens studies. Summing Up: Highly recommended. Upper-division undergraduates through faculty. * CHOICE *
Shrinking violets no more: A liberating look at Nabokovs fictional women and a much needed and long overdue addition to Nabokov Studies! -- Galya Diment, University of Washington
Elena Rakhimova-Sommers' edited volumeisa welcome contribution to Nabokov studies that urges us to listen to the voices of Nabokovs heroines and to chart the territories they occupy. By engaging with a large number of texts,Nabokovs Womenoffers a rich and varied investigation into the bodies, voices and destinies of heroines who inhabit and haunt Nabokovs fiction, from Mary to Ada. -- Monica Manolescu, University of Strasbourg
Elena Rakhimova-Sommers is principal lecturer in Russian and global literature at the Rochester Institute of Technology.