Neo-Gothic Narratives: Illusory Allusions from the Past

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A theory on what mobilises the employment of the Gothic in the present times.

Neo-Gothic Narratives defines and theorises what, exactly, qualifies as such a text, what mobilises the employment of the Gothic to speak to our own times, whether nostalgia plays a role and whether there is room for humour besides the sobriety and horror in these narratives across various media. What attracts us to the Gothic that makes us want to resurrect, reinvent, echo it Why do we let the Gothic redefine us Why do we let it haunt us Does it speak to us through intertexuality, self-reflectivity, metafiction, immersion, affect Are we reclaiming the history of women and other subalterns in the Gothic that had been denied in other forms of history Are we revisiting the trauma of English colonisation and seeking national identity Or are we simply tourists who enjoy cruising through the otherworld

The essays in this volume investigate both the readerly experience of Neo-Gothic narratives as well as their writerly pastiche.

Reviews

Maier, Ayres, and the other authors in Neo-Gothic Narratives have taken an important and calculated step forward in a novel approach to the Gothic. I imagine other readers interested in the Gothic and adjacent fields (especially those concerned with contemporary work) will similarly feel that this volume is a benefit to the field and in understanding how representations of the Gothic have evolved into our modern world and ways in which scholarship of the genre might progress Wesley Scott McMaster

Author Bio

Sarah E. Maier is professor of English and comparative literature at the University of New Brunswick. Canada, and was named University Teaching Scholar in 2006. She has been working on the Bronts for the bicentennials including for The Lost Manuscripts (2018). Maiers past work includes Reinventing Marie Corelli for the Twenty-First Century (2019), co-edited with Brenda Ayres. Her other current interests include Sherlock Holmes, Neo-Victorian vampires, adaptation and Neo-Victorian young adult fiction.

Brenda Ayres is professor of English teaching a wide array of English online courses through Liberty University and Southern New Hampshire University, USA. She has edited several collections of essays including Reinventing Marie Corelli for the Twenty-First Century (2019) with Sarah E. Maier, Victorians and Their Animals: Beast on a Leash (2018) and Biographical Misrepresentations of British Women Writers: A Hall of Mirrors and the Long Nineteenth Century (2017). She is the author of Betwixt and Between: The Biographies of Mary Wollstonecraft (2017).