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Rethinking Contemporary British Womens Writing: Realism, Feminism, Materialism

(Hardback)

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Publishing Details

Full Title:

Rethinking Contemporary British Womens Writing: Realism, Feminism, Materialism

Contributors:

By (Author) Emilie Walezak

ISBN:

9781350171350

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

18th November 2021

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Literary theory
Literary studies: fiction, novelists and prose writers
Literary studies: c 1900 to c 2000

Dewey:

820.992870904

Physical Properties

Physical Format:

Hardback

Number of Pages:

184

Dimensions:

Width 138mm, Height 216mm

Weight:

358g

Description

Providing close readings of well-known British realist writers including Pat Barker, A. S. Byatt, Rose Tremain, Sarah Hall, Bernadine Evaristo and Zadie Smith, this book uses new directions in material and posthuman feminism to examine how contemporary women writers explore the challenges we collectively face today. Walezak redresses negative assumptions about realisms alleged conservatism and demonstrates the vitality and relevance of the realist genre in experimenting with the connections between individual and collective voices, human and non-human meditations, local and global scales, and author and reader. Considering how contemporary realist writing is attuned to pressing issues including globalization, climate change, and interconnectivity, this book provides innovative new ways of reading realism, examines how these writers are looking to reinvent the genre, and shows how realism helps reimagine our place in the world.

Author Bio

Emilie Walezak is a senior lecturer (MCF) at Universit Lumire Lyon 2, France. A specialist of contemporary British women writing, she has devoted several articles to the works of Angela Carter, A. S. Byatt, Sarah Hall, Rose Tremain and Jeanette Winterson. She is the author of Rose Tremain: A Critical Introduction (2017).

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