Seeing Animals after Derrida
By (Author) Sarah Bezan
Edited by James Tink
Contributions by Jos Alaniz
Contributions by David Brooks
Contributions by Megan E. Cannella
Contributions by Bonnie Gill
Contributions by David Huebert
Contributions by Nicole Mennell
Contributions by Malin Palani
Contributions by Rodolfo Piskorski
Bloomsbury Publishing PLC
Lexington Books
27th November 2017
United States
Tertiary Education
Non Fiction
Nature and the natural world: general interest
Ecological science, the Biosphere
Literary studies: c 1900 to c 2000
Zoology and animal sciences
179.3
Hardback
272
Width 157mm, Height 240mm, Spine 22mm
608g
This volume charts a new course in animal studies that re-examines Jacques Derrida's enduring thought on the visualization of the animal in his seminal Cerisy Conference from 1997, The Animal That Therefore I Am. Building new proximities with the animal in and through - and at times in spite of - the visual apparatus, Seeing Animals after Derrida investigates how the recent turn in animal studies toward new materialism, speculative realism, and object-oriented ontology prompts a renewed engagement with Derrida's animal philosophy. In taking up the matter of Derrida's treatment of animality for the current epoch, the contributors to this book each present a case for new philosophical approaches and aesthetic paradigms that challenge the ocularcentrism of Western culture.
Sarah Bezan is PhD candidate in English at the University of Alberta. James Tink is associate professor in the Department of English Literature at Tohoku University, Sendai.