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The Crossroads of Music and Literature: New Essays on the Muse of Song

(Hardback)


Publishing Details

Full Title:

The Crossroads of Music and Literature: New Essays on the Muse of Song

Contributors:

By (Author) Kelly Baron
Edited by Andrew DuBois
Contributions by Karl Manis
Contributions by Christopher Birkett
Contributions by Eric Tyler Powell
Contributions by Court Carney
Contributions by Eralda L. Lameborshi
Contributions by George Elliott Clarke
Contributions by Trivius Caldwell
Contributions by Max Karpinski

ISBN:

9781666968729

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

11th December 2025

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Music

Physical Properties

Physical Format:

Hardback

Number of Pages:

288

Dimensions:

Width 152mm, Height 229mm

Description

Sing In Me, Oh Muse: New Essays at the Crossroads of Music and Literature brings together fourteen original essays from an international, intergenerational cohort of scholars, each taking a fresh approach to the manner in which music plays a crucial role in literary texts and to the ways in which music is itself a work of literature.

The relationship of song lyrics to lyric poetry is taken up in work on artists as diverse as Bob Dylan, Motrhead, Nas, and Townes Van Zandt, while the centrality of music and sound in the midst of prose is probed in novels by Ralph Ellison, Valeria Luiselli, and Ann Petry. The creation of artistic communities is considered through the cathartic lens of Sad Girl Music, the anti-Fascist dissonance of punk, and Chicanx translations of British pop, alongside explorations of turntablist poetics, Black voice versus blank verse, the narratology of popular song, and more.

Reviews

Kelly Baron and Andrew DuBois have gifted us a remarkable essay collection that considers song lyrics as literature and in literature. The varied contributors write in distinct voices, yes, and also in distinct keys, time signatures, and frequencies of thought and feeling. Taken together, these essays invite close listening and close readingoften both at once. An indispensable contribution to the growing body of scholarship on the poetics of song. * Adam Bradley, Professor of English, University of California, Los Angeles, USA *

Author Bio

Kelly Baron is Coordinator for the Northrop Frye Centre and the Centre for Creativity at Victoria University in the University of Toronto.

Andrew DuBois is Associate Professor of English at the University of Toronto.

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