Atypical Plays for Atypical Actors: Selected Plays

(Paperback)

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Atypical Plays For Atypical Actors is the first of its kind: a collection of dramas which redefines the notion of normalcy and extends the range of what it is to be human. From monologues, to performance texts, to realist plays, these involving and subversive pieces explore disability as a portal to new experience. Includes the plays: peeling; The Almond and the Seahorse; In Water Im Weightless; the 9 Fridas; and Cosy. Although disabled characters appear often in plays within the Western theatrical tradition, seldom have the writers been disabled or Deaf themselves, or written from those atypical embodied experiences. This is what contributes to making Kaite OReillys Selected Plays essential reading critically acclaimed plays and performance texts written in a range of styles over twelve years, but all informed by a political and cultural disability perspective. They answer back to the moral and medical models of disability and attempt to subvert or critique assumptions and negative representations of disabled people. The selected plays and performance texts exhibit a broad approach to issues around disability. Some, like In Water Im Weightless/The d Monologues (part of the Cultural Olympiad and official festival celebrating the 2012 London Olympics and Paralympics) are embedded in disability politics, aesthetics, and crip humour. A montage of monologues that can be performed solo or as a chorus, they challenge the normative gaze and celebrate all the possibilities of human variety. The Almond and the Seahorse is different, a mainstream character-led realist drama about survivors of Traumatic Brain Injury, with subversive politics in its belly. A response to tragic but brave depictions of head injury and memory loss, and informed by personal experience, the play interrogates the reality of living with TBI, questioning who the victims are. peeling, a landmark play written for one Deaf and two disabled female actors, was originally produced by Graeae Theatre Company in 2002, 2003, and for BBC Radio 3. A feminist masterpiecequietly ground breaking (Joyce McMillan, The Scotsman), it has become a set text for Theatre and Drama and Disability Studies university degree courses in the UK and US. Frequently remounted, its lively meta-theatrical form supports its central themes of war, eugenics, and a womans control over her fertility, which are as relevant today as ever. peeling was written exclusively for performers identifying as Deaf, disabled or neuro-divergent. The performance text the 9 Fridas is a complex mosaic offering multiple representations of arguably the worlds most famous female artist, Frida Kahlo, reclaiming her as a disability icon. Performed in Mandarin translation, it was the closing production of the 2014 Taipei Art Festival and will transfer to Hong Kong in October 2016. It is currently being translated into German, Hindi, and Spanish. Cosy is a darkly comedic look at the joys and humiliations of getting older and how we shuffle off this mortal coil. Three generations of a dysfunctional family explore their choices in a world obsessed with eternal youth, and asks whose life (or death) is it, anyway An Unlimited Commission, Cosy premiered in 2016, appearing at the Unlimited Festivals at Southbank Centre and Tramway. The 9 Fridas; Cosy; and The Almond and The Seahorse: These performance texts and plays were written for an inclusive, diverse cast of disabled, non-disabled, hearing and Deaf identifying performers.

Reviews

An invaluable and long over-due collection of untold stories that deserve to take centre stage. -- Lyn Gardner
Kaite OReilly is a poet of the human condition, a singer of temporal lapses, gaps, translations, missed connections and joyful vibrancy. The performance texts collected here show depth, pain and pleasure. They squeeze the reader, asking her to feel a human touch on her own skin, in her flesh, in the nervous system: this is work that reaches out, and demands that we feel sensations in response. You will be moved. -- Petra Kuppers. Professor, University of Michigan, and artistic director of Olympias

Author Bio

Kaite O'Reilly has won many prizes for her work, including The Peggy Ramsay Award, and the Ted Hughes Award for new works in poetry for her retelling of Aeschyluss Persians for National Theatre Wales. She was shortlisted for the inaugural international James Tait Black Award for Drama for In Water Im Weightless, and a finalist in Susan Smith Blackburns international prize for women playwrights with The Almond and the Seahorse. In 2012 she had two Cultural Olympiad Commissions, In Water Im Weightless produced by National Theatre Wales/South Bank Centre as part of the official festival celebrating the Olympics and Paralympics. In 2014 her performance text The 9 Fridas about Frida Kahlo was directed by Phillip Zarrilli with an integrated cast at the Taipei International Festival. A veteran of the UKs Disability Civil Rights Movement and part of Disability arts and cultures first wave, she is patron of Disability Arts Cymru and DaDaFest (Disability Arts Deaf Arts, the largest disability and Deaf cultural festival in the World).