Available Formats
Paperback
Published: 1st November 2014
Paperback
Published: 15th September 2008
Paperback
Published: 23rd September 2015
Paperback
Published: 1st June 2023
Hardback
Published: 2nd November 2021
Paperback, Annotated edition
Published: 5th August 1992
Paperback
Published: 25th January 2007
Paperback
Published: 8th December 2011
Paperback
Published: 26th July 2018
Hardback
Published: 26th July 2016
Paperback
Published: 3rd January 2017
Othello: Arden Performance Editions
By (Author) William Shakespeare
Edited by Dr Paul Prescott
Bloomsbury Publishing PLC
The Arden Shakespeare
26th July 2018
United Kingdom
Tertiary Education
Non Fiction
Acting techniques
Individual actors and performers
822.33
Paperback
408
Width 138mm, Height 216mm
428g
I wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time Im in rehearsal on a Shakespeare play, I have no doubt that a copy from this series will be in my hand. ADRIAN LESTER, Actor, Director and Writer Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the plays possibilities and meanings to actors and students. Each edition offers: -Facing-page notes -Short, clear definitions of words -Easily accessible information about key textual variants -Notes on pronunciation of difficult names and unfamiliar words -An easy to read layout -Space to write notes -A short introduction to the play
Performance Editions provide the basis for fascinating discussions about where different communities locate the quintessence of Shakespeare and early modern drama. * Studies in English Literature 1500-1900 *
These editions are likely to help not only actors and drama students but also all amateur Shakespeareans including schools and colleges which stage the plays What genius to have Simon Russell Beale as a series editor along with two Shakespeare Institute academics, Michael Dobson and Abigail Rokison-Woodall. * Ink Pellet *
PAUL PRESCOTT is Associate Professor (Reader), and teaches on the English and Comparative Literary Studies program at the University of Warwick, UK. Series Editors: MICHAEL DOBSON, The Shakespeare Institute, University of Birmingham, ABIGAIL ROKISON-WOODALL, The Shakespeare Institute, University of Birmingham and SIMON RUSSELL BEALE, actor and Associate Artist of the Royal Shakespeare Company.