Filumena

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Filumena is Eduardo de Filippo's best-known work and arguably his finest comedy, drenched in Neapolitan atmosphere and full of entanglements at once romantic and cynical. Set in the balmy heat of late 1940s Naples, Filumena Marturano lies on her deathbed waiting to marry Domenico Soriano, the man who has kept her as his mistress for twenty-five years. But no sooner has the priest completed the ceremony, than Filumena makes a miraculous recovery. As he reels in shock, Domenico discovers that this brilliant, iron-willed woman has a few more surprises for him. With masterful ambiguity, de Filippo depicts his characters with subtlety and balance: is Filumena a simple, illiterate woman who wants to create respectability for her children, or a ferine, opportunistic prostitute And will Domenico, the selfish aged gigolo, learn to repent and accept his responsibility to his past and his family Eduardo de Filippo was one of Italy's leading popular dramatists, a fearless social critic, a supreme man of the theatre, and a humane and compassionate writer. Exploring themes of motherhood, age and respectability, Filumena portrays de Filippo's trademark moral optimism and affection for his characters which underscores the drama's humour. This new translation by Tanya Ronder is contemporary, fluent and accessible, and tackles de Filippo's comedy with deftness and verve.

Author Bio

Eduardo De Filippo (1900-1984) is one of Italy's most prolific and respected playwrights of the 20th Century, so highly regarded in his native land that shortly before his death in the 1980s he was made a life senator of the Italian Republic. His best known works include Napoli Milionaria, Filumena and Saturday, Sunday and Monday. Tanya Ronder is a celebrated playwright who trained at RADA and spent fourteen years working as an actress before turning to writing in 2006. Her 2007 adaptation of DBC Pierre's Booker-prize winning novel, Vernon God Little, was nominated for an Olivier Award for Best New Play as well as a What's On Stage Award for Best New Comedy and was revived by the Young Vic in 2011 as part of their anniversary season.