Grief Lessons: Four Plays By Euripi
By (Author) Euripides
The New York Review of Books, Inc
NYRB Classics
15th November 2008
7th May 2009
Main
United States
General
Non Fiction
882.01
Paperback
312
Width 138mm, Height 204mm, Spine 18mm
355g
Euripides was the last of the three great tragedians of ancient Athens. His plays were shockers: he unmasked heroes, revealing them as foolish and savage, and he wrote about the powerless-women and children, slaves and barbarians-for whom tragedy was not so much exceptional as unending. Four of those tragedies are here presented in new translations by the contemporary poet and classicist Anne Carson. They are Herakles, in which the hero swaggers home to destroy his own family; Hekabe, set after the Trojan War, in which Hektor's widow takes vengeance on her Greek captors; Hippolytos, about love and the horror of love; and the strange tragic-comedy fable Alkestis, which tells of a husband who arranges for his wife to die in his place. The volume also contains brief introductions by Carson to each of the plays along with two remarkable framing essays: "Tragedy: A Curious Art Form" and "Why I Wrote Two Plays About Phaidra."
"The amazing poet Anne Carson offers a new translation of four plays by Euripides, each of which unfurls in searing, plainspoken English. Her essays and introductions are priceless." -Time Out NY
"In Grief Lessons, the contemporary poet and classicist Anne Carson's spare and beautiful new translation of four of Euripides' lesser known tragedies, we have a kind of primer on the intrinsic dangers of blind devotion to ideology." -The New Yorker
"An eclectic selection that provides an excellent introduction to Euripides's range. Ms. Carson's Euripides is bleak, moving, and provocative, offering a painful reminder of the resonance of these ancient plays with our own times." -The New York Sun
"Grief Lessons...reminds us that the difference between competent and inspired translation is more than a matter of even bravura technical competence. It involves a kind of discreet union between writer and translator, a certain convergence of aesthetic impulse and intellectual inclination. The issue of such a union can take a reader's breath away because it just seems so right--a work that stands firmly on its own but is somehow contented to be the sum of its parts. Carson's is, in other words, an altogether worthy heir...It's a reasonable and reasonably provocative contemporary reading." -The Los Angeles Times
"Writing with a pitch and heat that gets to the heart of the unforgiving classical world, Carson..is nothing less than brilliant--unfalteringly sharp in diction, audacious and judicious in taking liberties...Worth the price of admission alone is Carson's blistering essay afterword, written in Euripides's voice...This amazing book gets very close to the playwright's enigmatic answers." -Publishers Weekly*
Euripides (c. 485-406 BCE) Of his ninety-two plays, eighteen survive--more than twice as many as survive from any other Greek tragedian. They include: Medea, Andromache, Cyclops, Electra, The Trojan Woman, Helen, The Phoenician Women Orestes, and The Bacchae. Anne Carson was twice a finalist for the National Book Critics Circle Award, and has received the Lannan Award; the Pushcart Prize; the T. S. Eliot Prize for Poetry; the Griffin Poetry Prize; and the Los Angeles Times Book Prize. Author of many books, including Decreation and The Autobiography of Red, she currently teaches at the University of Michigan.