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Ibsen Plays: 4: John Gabriel Borkman; Pillars of Society; When We Dead Awaken

(Paperback)

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Publishing Details

Full Title:

Ibsen Plays: 4: John Gabriel Borkman; Pillars of Society; When We Dead Awaken

Contributors:

By (Author) Henrik Ibsen
Translated by Michael Meyer

ISBN:

9780413463609

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

1st August 2006

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Dewey:

839.8226

Physical Properties

Physical Format:

Paperback

Number of Pages:

272

Dimensions:

Width 127mm, Height 203mm, Spine 15mm

Weight:

320g

Description

"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner)



The plays shine freshly from the pages ...This will be our definitive Ibsen." (JC Trewin) This volume contains Ibsen's first great modern prose play and his two last symbolic dramas. The Pillars of Society, written between 1875 and 1877, exhibits many of the classic elements which recur in the subsequent plays - a marriage founded on a lie, women stunted by social conventions, an arrogant man destroying the happiness of those around him. John Gabriel Borkman (1896), according to Edvard Munch, is "the most powerful winter landscape in Scandinavian art"; and Ibsen's last play, When We Dead Awaken (1899), also dealing with "the coldness of heart", showed, said Bernard Shaw, "no decay of Ibsen's highest qualities. His magic is nowhere more potent.

Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)


Author Bio

Henrik Ibsen (1828-1906) has been described as 'the father of modern theatre'. Most of his early plays were traditional historical dramas. After 'Peer Gynt', a fairy-tale fantasy in verse, Ibsen wrote the rest of his plays in prose, and came to be regarded as the great Naturalist dramatist.

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