Kamloopa: An Indigenous Matriarch Story
By (Author) Kim Senklip Harvey
Talon Books,Canada
Talon Books,Canada
16th June 2020
New edition
Canada
General
Non Fiction
Gender studies: women and girls
Indigenous peoples
Theatre studies
813.6
Paperback
112
Width 139mm, Height 215mm, Spine 6mm
159g
This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless trickster who face the world head-on. Kamloopa explores the fearless love and passion of Indigenous women reconnecting with their homelands, ancestors, and stories. This boundary-blurring adventure will remind you to always dance like the ancestors are watching.
Kamloopa is a hilarious and courageous transformation story. Kim Senklip Harvey makes a generous invitation for all of us to bear witness to the joy, resilience, and brilliance of Indigenous women. Christine Quintana
"A thoughtful, funny, and compelling exploration of the complexities of Indigenous community making and knowledge reclamation."BC Studies
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Kamloopa is a hilarious and courageous transformation story. Kim Senklip Harvey makes a generous invitation for all of us to bear witness to the joy, resilience, and brilliance of Indigenous women.Christine Quintana
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This story about three women who are actively trying to decolonize themselves (whether they realize it or not) resonated deeply Uplifting the voices of Indigenous women, Two-Spirit, and non-binary folks is incredibly important to our resistance and our communities. Kamloopa is one of those stories providing that platform. Yolanda Bonnell
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Kamloopa brought me an empowerment of self and a reclaiming of knowledge. It brought me sisterhood and ties that have shaped the way I create and approach life. As an Indigenous woman I felt seen, heard, and valid, something we should all experience. Miigwech. Samantha Brown
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Provocative, hilarious, and shit-disturbing, Kamloopa is at once political, uncompromising, and generous. It centres stories and experiences and BODIES that are almost never given this level of agency, importance, and general badass hilarity. At its centre, Kamloopa claims dissent, humour, and experiences that settler Canadian audiences arent familiar with Brilliant. Marcus Youssef
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Harveys play is set simultaneously in the messy apartment of two sisters, and in the multiverse. Its set in the here and now, and its set across, and outside of time. In other words, its both incredibly specific, and much broader than the constructs of any given book. the Tyee
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Kamloopa brought me an empowerment of self and a reclaiming of knowledge. It brought me sisterhood and ties that have shaped the way I create and approach life. As an Indigenous woman I felt seen, heard, and valid, something we should all experience. Miigwech.
Samantha Brown
This story about three women who are actively trying to decolonize themselves (whether they realize it or not) resonated deeply Uplifting the voices of Indigenous women, Two-Spirit, and non-binary folks is incredibly important to our resistance and our communities. Kamloopa is one of those stories providing that platform. Yolanda Bonnell
Pain is the easiest palette from which to paint, but Harveys Kamloopa is a magnificent song of laughter and joy. It is a portrait of Indigenous sisterhood, the likes of which you have never seen before. Tetsuro Shigematsu
Kim Senklip Harvey is a proud Indigenous woman from the Syilx, Tsilhqotin, Ktunaxa, and Dakelh Nations and is a director, playwright, and actor. In 2017 Kim was shortlisted for the Gina Wilkinson Prize for her work as an emerging director. In 2018 she was a participant in the Banff Playwrights Lab as well as the Rumbles Directors Lab mentored by Weyni Mengesha. Kim was a participant in the 2017 Banff Residency Writing in a Racialized Canada; she is currently taking part in the National Theatre Schools inaugural Artistic Leadership Program, which aims to steward in the next generation of artists to lead the major artistic institutions in this country. In September of 2018, Kim had the world premiere for her new play, Kamloopa, which she wrote and directed. Her next play, Break Horizons, is a commission with the Citadel and Arts Club Theatre which explores the multifaceted laws of the many Indigenous worlds. Kim is a tenacious leader committed to excellence and the equitable opportunity of her people, women, minorities, and the historically disenfranchised and believes storytelling is the most compelling way to provide every community member the opportunity to live peacefully.