Mullarkey Plays: 1: Single Sex; Tourism; Cannibals; The Wolf From the Door; Each Slow Dusk
By (Author) Rory Mullarkey
Bloomsbury Publishing PLC
Methuen Drama
12th July 2018
United Kingdom
Professional and Scholarly
Non Fiction
Literary studies: plays and playwrights
822.92
Paperback
304
Width 129mm, Height 198mm
244g
A remarkable writer an original fresh voice, with a sharp political edge (Vicky Featherstone, Artistic Director the Royal Court Theatre). British writer Rory Mullarkey is the winner of the Harold Pinter Commission, the James Tait Black Prize for Drama and the George Devine Award for most promising playwright. His original work has been staged at the Royal Court Theatre, the National Theatre, Manchester Royal Exchange and Shakespeares Globe Theatre. His first play collection brings together three previously published plays with two unpublished works. A writer of considerable talent (Telegraph), this is a powerful and diverse collection from an established contemporary voice. Single Sex: a truly disturbing and twisted tale of obsession (Culture Bean) Tourism: A compelling and humorous take on modern cultural identities. Cannibals: Brilliantly exciting drama (Independent) Wolf From the Door: Fervent and bracingly originallaced with exuberant absurdity and moments of twisted humour (Evening Standard) Each Slow Dusk: A great war play, original and richly reflective in form . . . [It] encapsulates the British soldiers experience in under an hour . . . Remarkable. ReviewsGate
Mullarkey has considerable talent...exhilarating * Daily Telegraph *
There's a fierce freshness in his writing that suggests he's a young playwright to watch * Evening Standard *
Mullarkey certainly has an original voice * Financial Times *
Funny, provocative and engagingly eccentric * Time Out *
Rory Mullarkeys original plays include Pity, The Wolf from the Door (Royal Court Theatre), Saint George and the Dragon (Royal National Theatre), Each Slow Dusk (Pentabus Theatre/UK Tour), Cannibals, Single Sex (Royal Exchange, Manchester), The Grandfathers (National Theatre Connections, then Bristol Old Vic/National Theatre) and On the Threshing Floor (Heat & Light Company, Hampstead Theatre). His adaptations/translations include The Cherry Orchard by Anton Chekhov (Bristol Old Vic/Manchester Royal Exchange), The Oresteia by Aeschylus (Shakespeares Globe) and Remembrance Day by Aleksey Scherbak (Royal Court). He has written the libretti for The Skating Rink by David Sawer (Garsington Opera), Coraline by Mark-Anthony Turnage (Royal Opera House) and The Way Back Home by Joanna Lee (ENO/Young Vic). He has won the Abraham Woursell Prize (co-winner 2017), the James Tait Black Prize for Drama (2014), the George Devine Award for Most Promising Playwright (co-winner, 2014), the Harold Pinter Commission for the Royal Court (2014) and the Pearson Bursary for the Royal Exchange, Manchester (2011).