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Nelson Rodrigues: Selected Plays: Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel; Seven Little Kitties

(Paperback)


Publishing Details

Full Title:

Nelson Rodrigues: Selected Plays: Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel; Seven Little Kitties

Contributors:

By (Author) Nelson Rodrigues
Translated by Daniel Hahn
Translated by Susannah Finzi
Translated by Almiro Andrade

ISBN:

9781786827159

Publisher:

Bloomsbury Publishing PLC

Imprint:

Oberon Books Ltd

Publication Date:

1st July 2019

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Literary studies: plays and playwrights

Dewey:

869.25

Physical Properties

Physical Format:

Paperback

Number of Pages:

488

Dimensions:

Width 130mm, Height 198mm

Weight:

550g

Description

Nelson Falco Rodrigues (August 23, 1912 December 21, 1980) was a Brazilian playwright, journalist and novelist. In 1943, he helped usher in a new era in Brazilian theater with his play Vestido de Noiva (Wedding Dress), considered revolutionary for the complex exploration of its characters' psychology and its use of colloquial dialogue. He went on to write many other seminal plays and today is widely regarded as Brazil's greatest playwright. This volume contains brand-new translations of the plays Wedding Dress; Waltz No. 6; All Nudity Will Punished; Forgive Me for Your Betrayal; Family Portraits; Black Angel and Seven Little Kitties.

Author Bio

Nelson Falcao Rodrigues (August 23, 1912 - December 21, 1980) was a Brazilian playwright, journalist and novelist who became the progenitor of the modern Brazilian theatre A deeply controversial writer, today he is widely regarded as Brazil's greatest playwright. His astonishing career over four decades addressed burning taboo issues in Brazilian society - race, sexual repression, incest, crime and murder, causing Rodrigues to refer to his work as 'theatre of the unpleasant'. Censored for their shocking material, many of his plays remained unperformed for decades. Restlessly inventive, he was the voice of Rio's poor, its lower-middle class, its ignored, before turning his attention to mythical themes.

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