Oleanna

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Description

Mamet's ground-breaking and controversial play on the male-female power struggle, annotated with an introduction, notes and commentary.

"An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins." (Michael Wise, Independent)

In Oleanna "John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones." (Frank Rich, International Herald Tribune)

Reviews

John and Carol go to it with hand-to hand combat that amounts to a primal struggle for power. As usual with Mamet, the vehicle for that combat is crackling, highly distilled dialogue unencumbered by literary frills or phony theatrical ones. * Frank Rich, International Herald Tribune *
An ear for reproducing everyday language has long been David Mamet's hallmark and he has now employed it to skewer the dogmatic, puritannical streak which has become commonplace on and off the campus. With Oleanna he continues an exploration of male-female conflicts begun with Sexual Perversity in Chicago in 1974. Oleanna cogently demonstrates that when free thought and dialogue are imperilled, nobody wins. * Michael Wise, Independent *

Author Bio

David Mamet is one of the most distinctive voices on the contemporaryAmerican stage. He was born and had his first and many subsequent playspremiere in Chicago. His screenplays include: The Postman Always RingsTwice, The Verdict, The Untouchables, We're No Angels and GlengarryGlen Ross; he was writer and director for House of Games, Things Changeand Homicide.