Williams Plays: 4: Sucker Punch; Category B; Joe Guy; Baby Girl; Theres Only One Wayne Matthews

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[Williamss] plays have brought the experience of black urban youth onto the stage' Observer Sucker Punch: 'As usual with Williams, the dialogue is crisp and bespoke: motives are mixed, nobody is a hero, nothing is just black and white.' The Times Joe Guy: Williams's dialogue ricochets around the stage like gunfire . . . energetic, exciting and entertaining. Stage Category B: Category B is a harrowing play, but one shot through with both dark humour and tentative flickers of hope. Daily Telegraph Baby Girl: The shocking thing about Roy Williams's Baby Girl is that it argues that there is a cyclical pattern to teenage pregnancy . . . Williams paints a rivetingly plausible picture of a world in which mothers and daughters are sexual rivals, virgin is the ultimate peer insult and the school gates are a fertile hunting ground for male predators. Guardian Theres Only One Wayne Matthews: 'Williams's writing is punchy . . . Wayne's gradual understanding of the realities of the world make this a touching coming-of-age drama.' Guardian

Author Bio

Roy Williams, OBE, worked as an actor before turning to writing full-time in 1990. He is one of the most important contemporary dramatists, with a particular relevance and popularity among young people.