Conversation Among Stones

(Paperback)

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Awakening to histories personal and social, Conversation Among Stones is a meditation on memory and identity.

Through fields of wild grass, restless seascapes, and cities tinged with sand, Willie Lin's debut collection of poetry questions what can remain and what must be pared away in our search for truth. Conversation Among Stones speaks both to the inanimatemisremembered histories, photographs, the deadand to the voices in our daily lives that reverberate with disagreement and confusion. Punctuated by doubt and resistant to easy transformations, these poems listen and revise. With striking restraint and simultaneous abundance, these poems attempt to reconcile the desire for answers with the necessity of not knowing.

Turn by turn, this collection catalogs moments of approach, fervor, and strife and carries us into a profound quest for understanding: And that was one conviction: / that we must be to one another / what the world is not / to us.

Reviews

Willie Lin's debut poetry collection is everything one wants from a collection whether it be a debut, sophomore, or late career poet's publication. Each poemI mean each poemis immediate, energetic, complex yet accessible, and masterfully composed. Lin at once reveals and withholds, brings us into the imagined world while residing in the objective world. While these poems are plainly spoken and unadorned, they are also full of fresh and vivid imagery. Poem-to-poem, this is a knock-out collection. And I look forward to the next and next and next book.

Martha Rhodes, author of The Thin Wall

This marvelously ordered book by Willie Lin catalogs the ways and whys one comes to be. Her poems burrow slowly out of a fate irrevocable as bees locked in amber, emerging hungry for self-imbued purpose, a task of a life that can be shared. I want to give you a truthnot wing or hook / that belongs to only you. And what beauty, what goodly weight in this specific form of the truth: a gift to return to many times.

Philip Matthews, author of Witch

To read Conversation Among Stones is to enter a precisely reasoned universe of thought and held objects. Being in the world and turning toward knowledge are linked: it is through the things and beings of the world that knowing happens. Willie Lin's specificity of vision gives us waxwings and gallstones and a corrugated blue bicycle shed, green walnuts and the brightness of persimmons. In these poems of knowing and unknowing, Lin offers a way to see in full what you've understood only in profile through attention that verges on grief. But attending to the world may deliver bewilderment, rather than certainty. As in dreams, proportions shift and metamorphoses take place. Migrations happen. Breakage occurs. Willie Lin's poems offer us the twinnedness of could-be and might-have-been with is, the bewildering promises of religious practice, and the vital mystery of one's parents' early lives. These beautiful, solemn poems are radiant with the precision of Lin's language and the clarity of her images.

ireann Lorsung, author of The Century

The quiet of Willie Lins poems is deceptive, masking a profound doubt that she wields like a gleaming knife. The doubt of memory, the doubt of love and knowledge, the doubt of the self, and above all, the doubt of language. Such doubt inscribes her lines with a bewitching ferocity, as this ambitious poet writes into and against the elusive truths of experience, filling the mouth with salt, a stand of trees, ink and ordinary sorrow. Most remarkable about Conversation Among Stones, though, is how Lin brings us closer both to languages inscrutability and to the devastations that [meet] silence with silence. I loved how this book made me wonder and doubt and feel more, which is to say Lins gifts as a poet dares us to risk breaking our hearts, as she so cannily observes When you read, you are full / of someone elses sadness.

Jennifer Chang, author of Some Say the Lark

Author Bio

Willie Lin was born in Beijing, China and lives and works in Chicago, IL. Her poems have appeared in Bennington Review, Prairie Schooner, and The Threepenny Review, among other journals. Shes the author of the chapbooks Lesser Bird of Paradise (MIEL) and Instructions for Folding (Northwestern University Press), winner of the Drinking Gourd Chapbook Poetry Prize, and has received fellowship and scholarship support from Kundiman and the Summer Workshop Program at the Fine Arts Work Center.