Facing You: City Lights Spotlight No. 19
By (Author) Uche Nduka
City Lights Books
City Lights Books
1st September 2020
United States
Paperback
110
Width 139mm, Height 177mm
From acclaimed Nigeria-born, Brooklyn-based poet Uche Nduka, a book of love poems written with compact elegance and vivid eroticism. "The real in Nduka's work carries the resonance not only of his Nigerian identity and experience of political violence but also the dislocation of the emigre and the frightening power relations of intimacy as mapped onto the lyric."-Joyelle McSweeney, Boston Review Facing You is a collection of love lyrics, as well as an exploration of what goes into making the public and private self, from acclaimed Nigerian American poet Uche Nduka. Passionate and erotic, Facing You nonetheless resists being hermetically sealed within the relationship, and is subject to the intrusions of "the dubious world": war, exile, protest, and police violence intrude but cannot defeat Nduka's expressions of desire, where reality and surreality are one. "These poems were written openly and freely about my vision and experience," he writes, "crossing the wires of sex and prophecy."
Praise for Facing You:
"Nduka's erotic poems are gentle, tender, and, for the most part, quite hot. but such moments are surprising when they crop up, piquant or musty turns, unexpected and emphatic shots of physical punctation. More often, the poems erotic elements are part of a more general heightened, sexualized atmosphere, a kind of free-floating horniness or 'beautiful confusion'in which the desire to merge with the beloved is inextricable from the desire to create. Facing You is by no means entirely erotica; it touches on a wide range of experience, including Ndukas own Nigerian-American identity and the social crises of our moment."Mark Scroggins, Hyperallergic
Praise for Uche Nduka:
To my reading, all of Ndukas work is Surreal, and in this sense it is all political. The real is not paraphrased or commented on by Surrealism but convulses through it. The real in Ndukas work carries the resonance not only of his Nigerian identity and experience of political violence but also the dislocation of the migr and the frightening power relations of intimacy as mapped onto the lyric.Joyelle McSweeney, Boston Review
He has of necessity had to find in poetry a means of survival and a method for fighting back. No way to set aside the scars, the disappointment, and the social rage, and go on to write a poetry of reflective personal feeling. Also, it would seem, no way straightforwardly to attempt to describe or depict the immensity of what has been experienced and feltwriting would have to take you beyond that to a more total or global sense of engagement with language as defiance, as hope, hope not for a probably impossible political solution to the chaos, but hope for a present, in writing, in which sanity and endurance prevail, even as the pain is confronted head-on. At any rate, this seems to be what Ndukas writing does. Poetry as path or weaponas life.Norman Fischer, Jacket2
Nduka is always a bold writer, but more than anything hes an incredibly smart and precise one. Nduka is a writer who shows his work and still surprises you.Gabriel Ojeda-Sague
Uche Nduka is an itinerant poet and professor presently living in Brooklyn. He was born in Nigeria, was raised bilingual in Igbo and English, and earned his BA from the University of Nigeria. He left Nigeria in 1994 and settled in Germany after winning a fellowship from the Goethe Institute. In 2007, he immigrated to the United States, where he would earn his MFA from Long Island University, Brooklyn. Nduka is the author of numerous collections of poetry and prose, including the U.S.-published books Living in Public (2018), Nine East (2013), Ijele (2012), and eel on reef (2007). His work has been translated into German, Finnish, Italian, Dutch, and Romanian.