Hoarders

(Hardback)

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Description

Durbin uses the reality television show Hoarders, which has over two million viewers, as her inspiration for creating poems that address with addiction, mental illness, consumerism, environmentalism, and colonialism.

With a very active presence on the internet, with close to 4K followers on Instagram (@kate_durban), Kate is a bit of an internet celebrity. Her previous digital work and experimentation lend themselves well to the internet, and we expect that this book will be very popular with her robust readership.

This book draws upon her personal experience with addiction and mental illness in her family. Kate has been open about providing this context in conversation about the book, but would rather not explicitly call attention to it in her promotional text.

Teaches at a small liberal arts institution in LA and also teaches online workshops.

She is a multimedia artist, performer, filmmaker, and poet living in LA, and we expect for this book to travel widely among artist circles. Kate also does do a fair amount of travelling between NY and LA.

Book would be good for interdisciplinary course adoptions (poetry, media studies, digital humanities) as well as have popular appeal.

Very eager to do virtual/live readings from the book.

Reviews

In centering imperfect, struggling shopaholics more likely to amass cheap dresses from TJ Maxx than hit up Rodeo Drive, Durbin provides insight into the most dysfunctional realms of consumer culture Sandra Simonds, Poetry Foundation

Like another marvelous Wave book, Chelsey Minniss Baby, I Dont Care, Durbins Hoarders is energized by the joyous single mindedness of the poet and her subjects. Ronnie from Las Vegas sums it up: I feel sorry for so-called normal people chair with a paper sign taped to it that says Seat Where Buzz Aldrin Sat in blue Sharpie. -David Starkey, California Review of Books

Hoarders, Durbins newest collection, is a look at and through the documentary series of the same name, to the the secret life of American objects. It shows how we are formed with, by, and through our relationships with our stuff which haunts and is haunted in equal measure. It is a powerful, beautiful, and deeply unsettling book. Kyle Williams, Full Stop

Its Durbins exquisitely fine-tuned attention that is thrown into new relief in Hoarders, a book that chronicles the lived experiences of people who cannot let go of things, and the things that glow under the attention of being witnessed and inventoried by Durbins vivid and heartbreaking renderings. Emily Skillings, The Believer

From what I presume is an abundance of hoarded material on the reality TV show, [Durbin] isolates these stunning and evocative tableaux that feel very moving, memento mori, and in a way treat the hoarded material with the care and dignity that many of the hoarders espouse. JoAnna Novak, Los Angeles Review of Books

An absurd, bracingly funny depiction of the misery of consumerismbut also something tenderer, about the attachments that make up a life. Lit Hub, Most Anticipated Books of 2021

Durbins work has what the A&E show lacks: a capacious sense of humanity, a nuanced understanding of how consumerism might shape compulsions, and a deeply expressed empathy for the subtleties of life under capitalismIn this reinvention, each characters own narration takes precedence over the more salacious details of their disorder, bringing us into their personal, sometimes painful, worlds. Each poem consists of connected fragments, little piles. Each stanza reads like a conversation between the person and their stuffThe poems themselves are cluttered, yet their vibrancy is hard to overstate. Durbin astutely marries content and meaning, overwhelming the reader while dialing into our internal monstrous consumer. Alyse Burnside, The Atlantic

Though the swift-moving spectacle of the television show invites viewers to cast easy judgment on these hoarders, Durbin employs poetry's slower speed to show a more complicated picture. Instead of using [their stories] to make us feel better about ourselves for not being hoarders, she indicts aspects of American culture we all participate inreligion, capitalismand reveals our complicity, all the while dropping a lot of sight gags in the process. Rich Smith, The Stranger

Television wants to provide a tidy narrativedirty home transformed into clean home, sad changed to happy. But Durbins curations, inventions, and re-imaginings allow this material to transcend its form, and the result is a fascinating collection about connection, desire, and what it means to be American. Chelsea Hodson, Lit Hub

It's by zooming into objects and slowing down time that Durbin makes her book so different from what you see on TV. In the show Hoarders, it can feel like the goal is to fix everyone really quickly, by the end of each episode. But with her poems, Durbin doesn't want to resolve anything for the reader. She simply wants to stop and listen to whatever the people and their objects have to say. NPR, Morning Edition

Hoarders isspare andheartbreaking. Katharine Coldiron, BOMB

Hoarders reckons with the collective alienation that is part of our culture. [It] is a striking union of cultural critique with poetic meditation. The poems here offer an unflinching view of a culture centered around consumption and spectacle, while imploring us to move with kindness through the world. CD Eskilson, The Arkansas International

Author Bio

Kate Durbin is a Los Angeles-based writer and artist. Her books of poetry include E! Entertainment, The Ravenous Audience, and ABRA, which won the 2017 international Turn On Literature Prize. Durbin was the Arts Queensland Poet-in-Residence in Brisbane, Australia in 2015. Her art and writing have been featured in The New York Times, Art in America, Art Forum, The Believer, BOMB, poets.org, The American Poetry Review, and elsewhere. She has shown her artwork nationally and internationally at The Frye Museum in Seattle, The Pulse Art Fair in Miami, MOCA Los Angeles, The Spring Break Art Fair in Los Angeles, Peer to Space in Berlin, and more.