Magnetic Fields

(Paperback)

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An indispensible classic of French poetry, this is a new translation of Breton and Soupault's experiment with automatic writing, and also the first known work of literary surrealism. This edition includes the original French text. In the spring of 1919, two young men, Andre Breton and Philippe Soupault, one a student of law and the other of medicine, both in a state of moral shock after the carnage of World War I, embarked on an experiment in writing. Sick of the literary cultivation of an individual voice, sick of the "well-written," they wanted to unleash the power of the word as such, the better to create "a new morality" that would stand in place of "the prevailing morality, the source of all our trials and tribulations." They devised a plan. They would write over the course of a week; they would write for only so much time on each day of the week; they would write fast and then faster. When the week was over, the writing would be over, and they would not go back to it or clean it up in any way. Finally, the project must proceed in perfect secrecy. They must not tell anyone what they were up to. This was how The Magnetic Fields, the first sustained exercise in automatic writing as a form of literary composition, came to be. Charlotte Mandell's brilliant new translation reveals a key work of twentieth-century literature anew.

Reviews

With distance, a sort of unity has established itself, andThe Magnetic Fieldshave become the work of a single author with two heads. This double gaze has made it possible, as nothing else would, for Philippe Soupault and Andr Breton to push forward on the path where no one had preceded them, into these shadows where they were both speaking aloud. Louis Aragon

Fantastic, disconnected but vivid and poetic as though Breton and Soupault were seeing sea life at the bottom of the oceans floor: very few of us have the intensity of spirit to live with that sense of life. Kimberly Lyons

The Magnetic Fieldsopened the verbal floodgates for the writers aligned first with Dada and then with Surrealism: Breton, Soupault, Paul Eluard, Louis Aragon, Robert Desnos, Benjamin Peret. Christopher Merrill,Los Angeles Times

Breton and Soupault ushered a freshly new phenomenon of writing into being. Theirs remains the key 20th century collaboration. . . Going forward there was acknowledged precedent for the validity of jointly recording words onto the page as they come, whether borrowed, imagined or otherwise summoned forth from whatever depths. Patrick James Dunagan, Periodicities

Author Bio

Andre Breton (1896-1966) was a writer, poet, and co-founder of the surrealist movement. A student of psychiatry and a devout Marxist, Breton saw surrealism as the ultimate means to liberation both personal and political. Philippe Soupault (1897-1990) was a co-founder of the surrealist movement alongside Andre Breton. Soupault left surrealism behind following political disagreements with Breton, remaining a lifelong writer. Charlotte Mandell is a translator of French literature. She has published numerous translations of writers including Jean Genet, Guy de Maupassant, and Gustave Flaubert. She has been awarded a translation prize from the Modern Language Association and the National Translation Award in Prose. She lives in the Hudson Valley of New York.