Insomniac Sentinel
By (Author) Abraham Smith
Cameron & Company Inc
Baobab Press
16th May 2023
United States
General
Non Fiction
Modern and contemporary poetry (c 1900 onwards)
811.6
Paperback
128
Width 152mm, Height 228mm
A new poetry collection from one of America's most lyric and sonically interesting poets.
Abraham Smiths Insomniac Sentinel is a concatenation of sandhill cranes and their haunting deep time dinosaur barking. It is the croon of safety from the heart of Wisconsin. It is an aegis from the violence perpetuated on the young; that the young perpetuate; lurching and launching from tercets, those familiar island letting go sideways, the poems themselves as steady and desultory as sand and people and the places they abide. Insomniac Sentinel is a collision of meter, speed, and experience into auditory sensations that range from the elegiac to the ecstatic to the venomous in Smiths nuanced considerations of blue-collar America. Mirroring the attentions of Midwest arrhythmia in the music of the sandhill cranes, Insomniac Sentinel resonates on temporal frequencies, waves ancient and contemporary, rolling from the throats of giants.
This message from the kinetic yet ghostly realm of Wisconsin that suffuses Abraham Smiths Insomniac Sentinel alive with its rural glossary, with its hidden waking clandestinely complex within seeming quotidian display. It scripts a lingual fuse of heresy, that absorbs particulates of human brewing, and what follows is a slow magnetic glow that suffuses the text not unlike a susurrant under-ringing. Thus, it emits by complexity by this glow letting us know that verbal life continues to not only thrive but quietly erupt and cascade from regions that we seemingly thought to be inert, always poetically aware of yielding circuitous treasure from what was thought to be a less than magnetic hamlet. Will Alexander, Pulitzer finalist for Refractive Africaand author of The Contortionist Whispers
you know, i am the giver/back of sound. This bardic claim could only be true of Abraham Smith, who sings open-throatedly the continuous song of a crane lifting off the junkpile and into historys storm. His song pushes through and around the language of working, of working bodies, both human and inhuman, raising it all up, illuminating it, as in a manuscript, indicating what is precious, as if sound could be the one thing it is not, and shed light. Thats the sad note in this gravy-to-cradle threnody, this lunged-up thud tender. Reading Abraham Smith makes you ask the big questions, like, are our wings made of the shreds of where we came from Does a bird fly on its wing, or on its song Joyelle McSweeney, author of Toxicon and Arachne
I can hear Abraham Smiths voice intoning in his breathless and headlong fashion throughout his latest collection of poems. The verses practically read themselves to me, accompanied by an insistent rhythm a backbeat for music that these poems conjure up. Charlie Parr, Smithsonian Folkways recording artist and author of Last of the Better Days Ahead
Abraham Smith is one of my favorite living poets keeping the art form alive. He is patiently stoking the fires of imagination and his persistence has kept the cinders of inspiration smoldering. It is a joy to read his work and thrill to hear him read it in person. Margo Price, Grammy nominee, Farm Aid board member, and author of Maybe Well Make It
Abraham Smith's recent publications include Insomniac Sentinel (Baobab Press, 2023), Dear Weirdo (Propeller Books, 2022), and Bear Lite Inn (New Michigan Press,2020). Away from his desk, he improvises poems inside songs with the Snarlin' Yarns; their records It Never Ends (2023) and Break Your Heart (2020) were released on Mississippi's Dial Back Sound. He lives in Ogden, Utah, where he is associate professor of English and co-director of Creative Writing at Weber State.