Limousine, Midnight Blue: Fifty Frames from the Zapruder Film

(Paperback)

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This sequence of fifty 14-line poems uses the Zapruder Film of President Kennedy's murder as a prism through which to view America and the world. Refracted rays touch on crime and punishment; guilt and responsibility; charisma and love; the dying victim's experience during the stretched-out seconds of his violation and death; and the dark world of

Reviews

Ovid himself might have taken notice of this volume. It's one thing to turn a woman into a tree, another more advanced thing to transform fifty frames of the Zapruder film into as many sonnets. LIMOUSINE, MIDNIGHT BLUE is a radical display of poetry's ability to freeze time, to catch fugitive--and here, disputed--moments in the

amber of form.
---Billy Collins

Author Bio

Jamey Hecht was born in 1968, between the murders of Dr. King and RFK. He's the author of Plato's Symposium: Eros and the Human Predicament (Twayne, 1999) and a translation, Sophocles' Three Theban Plays: Antigone, Oedipus the Tyrant, Oedipus at Colonus (Wordsworth Classics of World Literature, 2004). He has edited the books Crossing the Rubicon: The Decline of the American Empire at the End of the Age of Oil by Michael C. Ruppert, and Someone Would Have Talked: The Assassination of President John F. Kennedy and the Conspiracy to Mislead History by Larry Hancock. Jamey Hecht has covered Peak Oil and geopolitics at www.fromthewilderness.com, and has taught world literature at various universities. His PhD is from Brandeis, where he wrote on Hart Crane and Dylan Thomas. Hecht's poetry and prose have been published in a variety of scholarly journals and literary magazines. www.jameyhecht.com