Once in Blockadia

(Paperback)

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In this collection of long and serial poems, Stephen Collis returns to the commons, and to his ongoing argument with romantic poet William Wordsworth, to rethink the relationship between human beings and the natural world in the Anthropocene Era. Collis circumambulates Tar Sands tailings ponds and English lakes and stands in the path of pipelines, where on Burnaby Mountain in 2014 he was sued for $5.6 million by energy giant Kinder Morgan, whose lawyers glossed Colliss writing in court by noting that underneath the poetry is a description of how the barricade was constructed. Called by Eden Robinson the most dangerous poet in Canada, in Once in Blockadia Collis is in search of how we can continue to resist as we only begin to understand the extent of our complicity and the depths of the predicament we are in.
The bulk of Once in Blockadia is made up of two long sequences evolving from found texts, and two long poems that engage with Wordsworth. The two found texts relate to two blockades Collis was involved in: one blocking the flood of commodities into the Port of Vancouver, and the other blocking the potential flood of oil out of Vancouver. In both cases the poetry and notes that follow offer glimpses into the documentary fact of events, the resistance behind the blockade, the reasons for them, and the complex of resistant affects driving the events. The two Wordsworthian long poems involve two walks one in the Alberta Tar Sands, and the other in Wordsworths beloved Grasmere. In the first instance Wordsworthian description is applied to the impossible to aestheticize Tar Sands; in the second, Wordsworths own beloved home is revealed not as an alternative to the destruction of extraction, but as conditioned, surrounded, and structured by it.

Reviews

One of the most striking examples of political poetry Ive seen in a while. [Once in Blockadia] could easily be considered his strongest collection to date While the three volumes (to date) that have made up his ongoing Barricades project Anarchive (New Star, 2005), The Commons(Talonbooks, 2008/2014), and To the Barricades (Talonbooks, 2013) have cohered and articulated language as an element of social action, Once in Blockadia is denser and more focused, composed as much as a cudgel and a call-to-action as a communique on or consequence of the Trans Mountain pipeline. rob mclennan

"Colliss book moves beyond the scale of both Williamss man/city and Ginsburgs generation/nation to bring the bioregion into deep focus as both place (actually inhabited) and space (increasingly uninhabitable). Colliss strength as a poet is his ability to hold in simultaneous suspension the descriptions of particular lifeforms and of sprawling, capitalist ecocidal apparatus The poetic doing Collis does in Blockadia is already more thoroughly embedded in bioregion than is most contemporary ecopoetry. It is more fluid in its shifts of time, scale, and system, and readier to spill off the page into practice."
Boston Review

Collis is mindful of the entwined nature of historical events and our emotional attachments to the places that we share or defend. Once in Blockadia is a valuable book for allies, poets, and scholars Collis work represents a nascent ecopoetics of place for the twenty-first century. I was immediately touched by it; my first impulse was to recommend it to close friends and to colleagues invested in the troublesome and shifting language of emplacement.
William V. Lombardi, for Canadian Literature

This book lives in Realms Ecological and is somewhat punk about it. Once in Blockadiais uniform in concern, but not in technique or style. These are militantly humane texts about climate disaster Collis is working with the postmodern lyric. His most common syntactical gambit is a jaunty, conversational line that is then crashed into by one boiled down, deeply overstressed. We bounce along then jam: jerk: stick: recommence. Its a lively, effective tactic. A sad, angry, critical, noble book is Blockadia.
Contemporary Verse 2

Author Bio

Stephen Collis: Stephen Collis is a poet, editor, and professor. His many books of poetry include The Commons (Talon, 2008; second edition, 2014), On the Material (Talon, 2010 -- awarded the BC Book Prize for Poetry), To the Barricades (Talon, 2013), and (with Jordan Scott) DECOMP (Coach House, 2013). He has also written two books of literary criticism, a book of essays on the Occupy Movement, and a novel. In 2014 he was sued for $5.6 million by U.S. energy giant Kinder Morgan, whose lawyers read his writing in court as "evidence," and in 2015 he was awarded the Nora and Ted Sterling Prize in Support of Controversy. He lives near Vancouver, on unceded Coast Salish Territory, and teaches at Simon Fraser University.