Tracing the Horse
By (Author) Diana Marie Delgado
Foreword by Luis Javier Rodriguez
BOA Editions, Limited
BOA Editions, Limited
26th September 2019
United States
General
Non Fiction
811.6
Paperback
112
Width 152mm, Height 228mm
A New York Times "New & Noteworthy" Selection Set in Southern California's San Gabriel Valley, Diana Marie Delgado's debut poetry collection follows the coming-of-age of a young Mexican-American woman trying to make sense of who she is amidst a family and community weighted by violence and addiction. With bracing vulnerability, the collection chronicles the effects of her father's drug use and her brother's incarceration, asking the reader to consider reclamation and the power of the self.
With vigorous wit and clarity, Diana Marie Delgado writes scenes of growing up in the San Gabriel Valley of Southern California. The poet traces the rich voice of identity through the turbulent passions of childhood and adolescence and their casually spoken, pungent lines that dont ever go away. Here, amid the myriad complications of the first phase of life, addiction and incarceration of relatives are but details, not destinies. These starkly succinct poems and prose poems map a powerful constellation of becoming. As she writes in another poem from this collection my journey is to forgive/everything thats happened.
Naomi Shihab Nye for The New York Times Magazine
Within Delgados poetics, forgiveness stems from the creation of beauty. [She] provocatively challenges the boundaries between interior and exterior, self and other, individual and collective. Delgados vulnerable, deep exploration of the self is memorable.
Publishers Weekly
In her debut poetry collection, Tracing the Horse, Diana Marie Delgado uses taut language and controlled recursion to render the life of her young narrator as she navigates the boundaries of her world in La Puente, a barrio in Los Angeless San Gabriel Valley. The poems are ethereally beautifulrazor-sharp and dreamlike at onceas they explore the heavy realities and expectations of family, poverty, drugs, crime, and sexual exploitation. The poems gallop off from there, each title blooming into a memory, a whisper, a hauntinga horse in the night, flashing by lightning-fast. And youll read them lightning-fast, too, hungry for the magic of Delgados words.
GUERNICA
Delgados first full-length poetry collection blooms in the barrio of La Puente in the San Gabriel Valley, and centers around a young woman and her family beset by addiction, incarceration, and other forms of violence. In one poem, the speaker wants to understand why the light in my dads body / after the needles tucked in is orange / on a river so silver I can barely see him. In another poem that seeks to decipher her familys troubled legend, the speaker considers the role her mother plays: Maybe Moms the horse / because arent horses beautiful, / cant they kill a man if spooked A quiet sensuality underscores the domestic unrest, and Delgados understated lyrics read like snippets from a private conversation with an unknown interlocutor, one who shares her intimacy with both sides of the law: California has a lot of prisons, all with beautiful names. An introspective carousel of electric, lightning lyrics.
Booklist
Diana Marie Delgados debut poetry collection, Tracing the Horse, will be published by BOA Editions in the Fall of 2019. She is also the author of Late Night Talks with Men I Think I Trust (Center for Book Arts, 2015). She is a recipient of a 2017 NEA Fellowship in Poetry and has received grants and scholarships from Hedgebrook, Bread Loaf, Letras Latinas, and Jack Jones Literary Retreat. Delgado holds a BA in Poetry from UC Riverside and an MFA in Poetry from Columbia University. Her poetry has appeared in Ploughshares, Tin House, Ninth Letter, The North American Review, Prairie Schooner, TriQuarterly, and Fourteen Hills. Her work is rooted in her experiences growing up in the Mexican-American community, and she is a member of the CantoMundo and Macondo writing communities. She is the Literary Director of the Poetry Center at the University of Arizona in Tucson. Poet, novelist, journalist, activist, and critic Luis J. Rodriguez was born in El Paso, Texas, and grew up in the San Gabriel Valley of East Los Angeles. He served as the Poet Laureate of Los Angeles from 20142016. Rodriguez is recognized as a major figure in contemporary Chicano literature, and has received numerous awards for his work. His best-known work, Always Running: La Vida Loca, Gang Days in L.A., received the Carl Sandburg Literary Award, among others. Rodriguez has also founded or co-founded numerous organizations, including the Ta Chucha Press, which publishes the work of unknown writers, Ta Chucha's Centro Cultural, a San Fernando Valley cultural center, and the Chicago-based Youth Struggling for Survival, an organization for at-risk youth.