Why Beethoven Threw the Stew: And Lots More Stories About the Lives of Great Composers
(Paperback, Main)
Publishing Details
Why Beethoven Threw the Stew: And Lots More Stories About the Lives of Great Composers
By (Author) Steven Isserlis
Faber & Faber
Faber & Faber
1st July 2005
8th October 2001
Main
United Kingdom
Classifications
Children
Non Fiction
Musicians, singers, bands and groups
Composers and songwriters
780.922
Physical Properties
Paperback
144
Width 125mm, Height 195mm, Spine 10mm
132g
Description
The ideal introduction for children to the world of classical composers and their music. In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black-and-white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.
Author Bio
Steven Isserlis' whole family was musical - his father plays the violin, his mother played the piano, and his two sisters play the violin and viola - so he took up the cello because he didn't want to get left out. He soon decided that playing the cello was what he wanted to do for the rest of his life(partly because it meant that he wouldn't have to get up too early in the morning to get to work). These days, he travels all over the world, playing concerts to whoever wants to listen (and to a few who don't too) and making recordings. He studied in England, Scotland and America; his main teacher was a wonderfully eccentric lady called Jane Cowan, who convinced him that he had to become friends with the composers whose music he played. In 1998, he was awarded a CBE, for 'services to music'; and in 2000, he was awarded the Schumann prize.
