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The Cognition of Basic Musical Structures

(Paperback)


Publishing Details

Full Title:

The Cognition of Basic Musical Structures

Contributors:

By (Author) David Temperley

ISBN:

9780262701051

Publisher:

MIT Press Ltd

Imprint:

MIT Press

Publication Date:

20th August 2004

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Theory of music and musicology
Cognition and cognitive psychology
Cognitivism, cognitive theory

Dewey:

781.11

Physical Properties

Physical Format:

Paperback

Number of Pages:

422

Dimensions:

Width 178mm, Height 229mm, Spine 25mm

Weight:

658g

Description

In this book David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labelling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension. MIDI files of musical examples from the book and the home page for the Melisma Music Analyser, the computational music analysis system, can be found at http://www link.cs.cmu.edu/cbms/.

Reviews

"This book makes substantial progress in the computer modeling of basic aspects of musical cognition. The author's presentation of complex subject matter is as direct and straightforward as one could wish. His writing is natural, clear, and unfailingly logical." - Fred Lerdahl, Fritz Reiner Professor of Music, Columbia University

Author Bio

David Temperley is Associate Professor of Music Theory at the Eastman School of Music, University of Rochester, and the author of The Cognition of Basic Musical Structures (MIT Press, 2001).

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