Hothouse: The Art of Survival and the Survival of Art at America's Most Celebrated Publishing House, Farrar, Straus, and Giroux

(Paperback)

Publishing Details

Classifications

Physical Properties

Description

A national bestseller, Hothouse is a wonderful (New York Review of Books), valuable (The New Yorker), cultural history, a ripping read about the eminent publishing house Farrar, Straus & Giroux (The Boston Globe).

Farrar, Straus & Giroux is arguably the most influential publishing house of the modern era. Home to an unrivaled twenty-five Nobel Prize winners and generation-defining authors like Tom Wolfe, Joan Didion, Philip Roth, and Jonathan Franzen, its a cultural institution whose importance approaches that of The New York Times. But FSG is no ivory towerand its untold story is as engrossing as many of the great novels it has published.

Boris Kachka reveals the era and the city that built FSG through the stories of two men: founder-owner Roger Straus, the black sheep of his German-Jewish family, and the reticent, closeted editor Robert Giroux, who rose from working-class New Jersey to discover the novelists and poets who helped define American culture. Giroux became one of T.S. Eliots best friends and played caretaker to manic-depressive geniuses like Robert Lowell, John Berryman, and Jack Kerouac. Straus, the showman, made Susan Sontag a star, kept Edmund Wilson out of prison, and turned Isaac Bashevis Singer into a Nobelist.

After giving us a fresh perspective on the postwar authors we thought we knew, Kachka exposes how elite publishing works today. He gets inside the editorial meetings where writers fates are decided; he captures the adrenaline rush of bidding wars for top talent; and he lifts the lid on the high-stakes pursuit of that rarest commodity, public attentionincluding a fly-on-the-wall account of the confrontation between Oprah Winfrey and Jonathan Franzen.

Hothouse is the product of five years of research and nearly 200 interviews by a veteran New York magazine writer. It shares a thrilling look at the heyday of the publishing industry (Entertainment Weekly) and illuminates the vital intellectual center of the American Century.

Reviews

A Wall Street Journal, Boston Globe, and IndieBound Bestseller

Swashbuckling . . . Exhaustively researched and sometimes gossipy . . . Hothouse is the hot book that book people are talking about, and understandably so. -- Maureen Corrigan * NPR *
Gripping . . . [A] wonderful book . . . Hothouse is Pepys for our time, an unblinking account of publishing history as it was made by Rogers firm, the last of Americas major independent publishing houses. Roger would have been thrilled to publish this fine book, including its frequent and deserved criticisms of himself. * Jason Epstein, The New York Review of Books *
"Riveting . . . Stellar . . . A vivid narrative . . . Hothouse fits nicely on a shelf next to entertaining business books such as Walter Isaacsons Steve Jobs or Michael Lewis Moneyball." * Dallas Morning News *
Valuable . . . [A] vigorous and often diverting trot through the history of an important cultural institution . . . No one has previously anatomized a publishing house in such depth . . . Farrar, Straus & Giroux, moreover, is well worth anatomizing. Its had a larger-than-life central character, an amusing cast of secondary characters, and a history replete with drama. Most important, it has maintained an amazingly consistent level of quality. -- Robert Gottlieb * The New Yorker *
Hothouse simmers with gossipy tales of publishing . . . and [is] blessed with real-life characters who could star in any sexy novel. . . . Its not a book just for intellectuals. * USA Today *
Vivid . . . Witty . . . Immensely enjoyable . . . Kachka sets forth a strikingly unexpurgated history of FSG, impressively researched, rich in anecdotes and journalistically balanced. -- Michael Dirda * The Washington Post *
"Excellent . . . Hothouse is as engrossing as a biography of any major cultural icon." -- Elissa Schappell * NPR *
Hothouse is a thrilling look at the heyday of the publishing industry . . . [and] the man who, as Kachka points out, shaped the postwar intellectual tone in this country through the sheer dint of his brazenness and charm. * Entertainment Weekly *
Irresistible . . . Juicy history . . . A delectable story about the intersection of art, commerce, passion and personalities. . . . Hothouse feels like a party where youre surprised to discover that you knowand admiremost of the other guests. * Los Angeles Times *
What is it about literary types Oh, the sex! Oh, the emotional drama! And, oh, what tremendous fun it all is to read about when were in the hands of a writer who knows how to spin a savory tale. So it is with Boris Kachkas delectably gossipy Hothouse, a deeply researched, jam-packed, surprisingly hard-to-put-down history of the eminent publishing house Farrar, Straus & Giroux that escapes lit-nerd ghettoization by the sheer force of its storytelling. . . . Hothouse is a ripping read. -- Laura Collins-Hughes * The Boston Globe *
Colorful history . . . Hothouse isnt a management book; its a narrative of large personalities at play. Yet out of it comes a clear account of how to thrive in a tough commercial environment. . . . Kachka tells the story of the houses class-mass success in delicious detail. -- Paul Elie * The Wall Street Journal *
Dishy . . . Entertaining . . . [A] vivid account. -- Mary Dearborn * The New Republic *
A roaring chronicle . . . For anyone with a sweet tooth for the book world or a thought and a care for American culture after the Second World War, the book is a brightly lit, well-stocked candy store. . . . Its also a superb business story, revealing how an enterprise became an institution. . . . [An] essential book. -- Matt Weiland * Bookforum *
The truth about industry books is that they rarely interest those who live and breathe outside of the industry in question. In other words, people on the street rarely clamor for tours of the office buildings above them. The rare ability not only to lead the reader in, but induce him to want to stay and peer into the filing cabinets is what makes Boris Kachkas first book Hothouse something of a masterpiece of business biography. . . . The real success of Hothouse lies in its telling, and Kachka manages a commanding momentum through decades at full wingspan. * Interview *
A rough-and-tumble, heroic tale . . . Kachka takes us back to the black-and-white era when good old-fashioned hardcovers stood unassailably at the very heart of the culture. . . . I loved reading the spiky, spicy evocation of the companys good old days. * Jonathan Galassi, New York magazine *
Scintillating . . . Crammed with delicious anecdotes . . . [A] compulsively readable tale of the creation, triumphs and tribulations of Farrar, Straus and Giroux. -- Julia M. Klein * The Forward *
A juicy account of the postwar New York book world . . . Not your average beach read, Hothouse, out August 6, is one nonethelessa Gossip Girl for those fascinated with the literary elite. * Harpers Bazaar, Summer 2013 Hot List *
Farrar, Straus and Giroux is the Versailles of American publishing. . . . But every palace has its intrigue, as Kachka shows us in this lively, witty account. . . . The extramarital (and often intramural) affairs conducted by publisher Roger Straus in the 1960s and 70s were legendaryhis wife called the company a sexual sewerbut the entire office apparently would have made Don Draper blush. Kachka dishes up these cold cases piping hot, but his research reveals an equally fascinating business story: How do you balance fine art and filthy lucre * Mark Athitakis, AARP Magazine *

Author Bio

Boris Kachka in the author of Hothouse: The Art of Survival and the Survival of Art at Americas Most Celebrated Publishing House. He is the Books Editor at New Yorkmagazine, where he has also been a writer covering books, theater, film, and other cultural industries and personalities for many years. He has also contributed to the New York Times, GQ, Elle, T, and Cond Nast Traveler. He lives in Brooklyn, New York, with his wife and son.