Fashioning Professionals: Identity and Representation at Work in the Creative Industries

(Hardback)

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Description

From artist to curator, couturier to fashion blogger, creative professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities. Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.

Reviews

An excellent resource for scholars who are interested in fashion, representation, and identity ... Provides insight into the fragile, and fluctuating nature of in the creative industries and as such, will be of interest to readers from a variety of fields. * The Journal of Dress History *
Pulling together far reaching ideas with the concept of fashioning, the authors open the analysis beyond the usual suspects of dress, the fashion system, or self-expression ... the essays collected here will please and challenge readers from a broad swathe of scholarly fields. -- from the Foreword by Elizabeth Wissinger, Professor of Sociology, City University of New York, USA
Exploring design, fashion, architecture, and art, this series of essays offers new and provoking insights into shifting conceptions of professional identities in the creative industries. -- Cheryl Buckley, University of Brighton, UK

Author Bio

Felice McDowell is Associate Lecturer in Cultural and Historical Studies at the London College of Fashion, and Central Saint Martins, University of the Arts London, UK. Leah Armstrong is Senior Lecturer in Design History at the University of Applied Arts, Vienna, Austria.