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Money in the Morgue: The New Inspector Alleyn Mystery

(Hardback)


Publishing Details

Full Title:

Money in the Morgue: The New Inspector Alleyn Mystery

Contributors:

By (Author) Ngaio Marsh
By (author) Stella Duffy

ISBN:

9780008207106

Publisher:

HarperCollins Publishers

Imprint:

Collins Crime Club

Publication Date:

28th March 2018

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Fiction

Dewey:

823.914

Physical Properties

Physical Format:

Hardback

Number of Pages:

336

Dimensions:

Width 141mm, Height 222mm, Spine 31mm

Weight:

460g

Description

Roderick Alleyn is back in this unique crime novel begun by Ngaio Marsh during the Second World War and now completed by Stella Duffy in a way that has delighted reviewers and critics alike.
Shortlisted for the CWA Historical Dagger Award 2018.

Its business as usual for Mr Glossop as he does his regular round delivering wages to government buildings scattered across New Zealands lonely Canterbury plains. But when his car breaks down he is stranded for the night at the isolated Mount Seager Hospital, with the telephone lines down, a storm on its way and the nearby river about to burst its banks.

Trapped with him at Mount Seager are a group of quarantined soldiers with a serious case of cabin fever, three young employees embroiled in a tense love triangle, a dying elderly man, an elusive patient whose origins remain a mystery and a potential killer.

When the payroll disappears from a locked safe and the hospitals death toll starts to rise faster than normal, can the appearance of an English detective working in counterespionage be just a lucky coincidence or is something more sinister afoot

Reviews

'Stella Duffy performs a remarkable act of ventriloquism with New Zealand's Queen of Crime. I defy readers to see the join' VAL McDERMID

A proper Golden Age set up of suspects and plot, a wonderful sense of place and period, and a real frisson of being with Alleyn himself! I cant imagine anyone doing it better Stella Duffy is the natural successor to Dame Ngaio KATE MOSSE

Ngaio Marsh fans rejoice! After 35 years Alleyn is back in a new mystery and both are as good as ever JOHN CURRAN

Marsh and Duffy have created A Midsummer Nights Dream with corpses, clues and Kiwi accents. Ingenious indeed ANDREW TAYLOR, THE SPECTATOR

Fans all over the world will, Im sure, hope that there are more stories to come. SOPHIE HANNAH, THE GUARDIAN

I absolutely love Ngaio Marsh! She's probably my favourite golden age doyenne A.J. FINN, author of The Woman in the Window

A more appropriate completist author could hardly have been wished for MIKE RIPLEY, SHOTS Magazine

One of the most successful resurrections of another authors character Ive come across. DAILY TELEGRAPH

Clever stuff. Ngaio Marsh would give it nine out of ten DAILY MAIL

Duffy captures Marshs style, dialogue and mood brilliantly THE TIMES

A complicated tale, so well completed by Stella Duffy that I was quite unable to see the join LITERARY REVIEW

A taut atmospheric whodunit Duffys facility at injecting wit into fair-play detecting will make Marsh fans hope shell continue the series. PUBLISHERS WEEKLY

Though tart noir specialist Duffymight seem an unlikely choice to flesh out the skeleton Marsh left behind, fans will be hard-pressed to find the joint between the two writers. KIRKUS REVIEW

An extraordinary literary tag-team completed 75 years after it began. THE LISTENER (NZ)

Author Bio

Dame Ngaio Marsh was born in New Zealand in 1895 and died in February 1982. She wrote over 30 detective novels and many of her stories have theatrical settings, for Ngaio Marshs real passion was the theatre. She was both actress and producer and almost single-handedly revived the New Zealand publics interest in the theatre. It was for this work that the received what she called her damery in 1966. Dame Ngaio Marsh was born in New Zealand in 1895 and died in February 1982. She wrote over 30 detective novels and many of her stories have theatrical settings, for Ngaio Marshs real passion was the theatre. She was both an actress and producer and almost single-handedly revived the New Zealand publics interest in the theatre. It was for this work that the received what she called her damery in 1966.

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