The Chinese Parrot: A Charlie Chan Mystery

(Hardback)

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Return to the Charlie Chan Mystery Series with Earl Bigger's fantastic sophomore outing, The Chinese Parrot.

After the events of The House Without a Key, Charlie Chan is ready for a vacation. But before he can relax in the Golden State he must follow through on a promise he made to an old friendtransporting her priceless pearl necklace to its new owner. Accompanying Bob Eden, son of the jeweler who brokered the deal, Chan will stop at nothing to ensure the necklace reaches its final destination, even if that means picking up a mystery or two along the way.

Based in part on the life of Chinese Hawaiian detective Chang Apana, Earl Derr Bigger's Charlie Chan Mystery Series was originally created to combat the negative ""Yellow Peril"" stereotypes of Asian Americans that were prevalent in the early twentieth century. With The Chinese Parrot (1926), Biggers delivers an intricate puzzle full of adventure and romance that further expands on the mythos of Charlie Chan.

Author Bio

Earl Derr Biggers (1884-1933) was an American novelist and playwright. Born in Ohio, Biggers went on to graduate from Harvard University, where he was a member of The Harvard Lampoon, a humor publication for undergraduates. Following a brief career as a journalist, most significantly for Cleveland-based newspaper The Plain Dealer, Biggers turned to fiction, writing novels and plays for a popular audience. Many of his works have been adapted into film and theater productions, including the novel Seven Keys to Baldpate (1913), which was made into a Broadway stage play the same year it was published. Towards the end of his career, he produced a highly popular series of novels centered on Honolulu police detective Charlie Chan. Beginning with The House Without a Key (1925), Biggers intended his character as an alternative to Yellow Peril stereotypes prominent in the early twentieth century. His series of Charlie Chan novels inspired dozens of films in the United States and China, and has been recognized as an imperfect attempt to use popular media to depict Chinese Americans in a positive light.