The Kingdom: A Novel

(Paperback)

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Description

Yurika is a freelancer in the Tokyo underworld. She poses as a prostitute, carefully targeting potential Johns, selecting powerful and high-profile men. When she is alone with them, she drugs them and takes incriminating photos to sell for blackmail purposes. She knows very little about the organisation she's working for, and is perfectly satisfied with the arrangement, as long as it means she doesn't have to reveal anything about her identity, either. She operates alone, doing her best to lock away painful memories. But then a figure from Yurika's past emerges...

Reviews

Praise for The Kingdom

Nakamura has described The Kingdom as a sister novel to The Thief . . . But the new novel bests its companion.
The New York Times Book Review

"Few protagonists in modern crime fiction are as alienated as those in the challenging, violent, grotesque tales of Japanese authorFuminori Nakamura . . . Yurikas struggle to escape her vexed fate elevates this shocker well above the lurid."
The Wall Street Journal

"Multilayered and intense . . . [The] monstrous crime lord Kizaki is a formidable nemesis."
The Independent (UK)

"The Kingdomoffers another sample of Japanese author Fuminori Nakamura's heady blend of disaffected philosophy and noir suspense."
Shelf Awareness

"Dark and strangely seductive... Arecommended read for fans of noir as well as for anyone looking to be mesmerized by a masterful storyteller."
Pank Magazine

"A face-paced, dark novel of psychological suspense, told in a succinctly poetic style."
Ellery Queen Mystery Magazine

"[Yurika] makes an ideal guide into Nakamuras nightmare kingdom, one node in a nihilistic entanglement of lives forged outside of conventional legal and moral frameworks."
Publishers Weekly

"With a complex yet sympathetic antiheroine who must outwit the most cunning and twisted minds, Nakamurasdark crime novel sets the bar for gritty, twisted plots that keep readers constantly guessing."
Library Journal

Nakamura is in a class by himself . . . His straightforward prose advances the story quickly, even as he creates an atmosphere that shimmers around the edges while slowly transforming the environment and the characters.
Book Reporter

"On a par with Jo Nesbo or Don Winslow."
Lit Hub

"Suspense writing at its tautest and most philosophical."
Politics and Prose Bookstore

"Unsettling,The Kingdomoffers both psychological suspense on the most intimate personal level as well as some sinister geo-political (un-)doings in the background . . . A quick, dark read, in which the reader islike Yurikaconstantly kept off balance."
The Complete Review

"A classic in the making... Justmake sure there's room in your schedule for recovery from this highly purposeful journey into darkness."
Kingdom Books

"If I had to name just one author who is absolutely iconic in the field of border- and boundary-crushing noir, it would be Fuminori Nakamura."
Shotgun Logic

Nakamura excels in writing brief, taut suspense and both this work and his exemplaryThe Gunreally should be on your reading list.
Bookgasm.com

Praise for Fuminori Nakamura

Crime fiction that pushes past the bounds of genre, occupying its own nightmare realm . . . Guilt or innocence is not the issue; we are corrupted, complicit, just by living in society. The ties that bind, in other words, are rules beyond our making, rules that distance us not only from each other but also from ourselves.
Los Angeles Times

This slim, icy, outstanding thriller, reminiscent of Muriel Spark and Patricia Highsmith, should establish Fuminori Nakamura as one of the most interesting Japanese crime novelists at work today.
USA Today

Nakamuras prose is cut-to-the-bone lean, but it moves across the page with a seductive, even voluptuous agility.
Richmond Times-Dispatch

Some of the darkest noir fiction to come out of Japanor any countryin recent years . . . Nakamuras stories, however labeled, are memorable forays into uncomfortable terrain.
Mystery Scene

Author Bio

Fuminori Nakamura has won numerous prizes for his writing, including the _x014C_e Prize, Japan's largest literary award; the David L. Goodis Award for Noir Fiction; and the prestigious Akutagawa Prize. The Thief, his first novel to be translated into English, was a finalist for the Los Angeles Times Book Prize. His other works include Evil and the Mask, The Gun, The Boy in the Earth, and Last Winter, We Parted.