Here's Luck

(Paperback)

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Description

Still considered one of Australia's funniest books ever, Here's Luck is Lennie Lower's most inspired lunacy.

A wild and uproarious masterpiece set in Sydney during the early depression years, it follows the hilarious exploits of its hero and narrator, Jack Gudgeon. Deserted by his long-suffering wife and gorgon-like sister-in-law, Gudgeon and his dreamy, disaster-prone teenage son, Stanley, manage to stumble into a never-ending series of adventures and catastrophes from which they invariably emerge with monumental hangovers. they are joined by a wonderful assortment of eccentric characters, who always materialize to enliven the parties that Gudgeon and son hold in their increasingly derelict home.
Originally published during the Great Depression, Here's Luck was essential reading for those needing cheering up and Lower's genuine style - a blend of realism, absurdity, satire and wit - has rendered his work timeless.

'It remains pre-eminently Australia's funniest book, as ageless as Pickwick or tom Sawyer , a work of 'weird genius', as one reviewer put it, written by a "Chaplin" of words' - Cyril Pearl
'Gloriously disreputable; mercilessly funny' - Richard Glover

Reviews

"It remains pre-eminently Australia's funniest book, as ageless as Pickwick or Tom Sawyer, a work of 'weird genius', as one reviewer put it, written by a 'Chaplin' of words" - Cyril Pearl "Gloriously disreputable; mercilessly funny." - Richard Glover "Fresher, funnier and more enjoyable than ever." - Graham Kennedy "That's Australia's funniest novel" - John Derum

Author Bio

Born in Dubbo, 1903, humorist and columnist Lennie Lower has been acclaimed as Australias funniest writer. Lower wrote across the Labor Daily, the Daily Guardian, Becketts Budget, Australian Womens Weekly and the Daily Telegraph. Writing during the years of the Depression and WWII, Lowers columns were essential reading for those needing cheering up and his novel, Heres Luck (1930), became a classic of Australian humour. Lower died in 1947 but his genuine style, a blend of realism, absurdity, satire and wit, has rendered his work timeless.