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Published: 1st January 1982
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The Metamorphosis
By (Author) Franz Kafka
Translated by Stanley Corngold
Bantam Doubleday Dell Publishing Group Inc
Bantam Doubleday Dell
1st January 1982
24th September 2004
United States
General
Fiction
Short stories
Fiction in translation
833.912
Paperback
224
Width 106mm, Height 174mm, Spine 13mm
113g
When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.
With thisstartling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, TheMetamorphosis. It is the story of ayoung man who, transformed overnight into a giantbeetlelike insect, becomes an object of disgrace tohis family, an outsider in his own home, aquintessentially alienated man. A harrowingthoughabsurdly comicmeditation on human feelings of inadequacy, guilt, and isolation, TheMetamorphosis has taken its place as oneof the most widely read and influential works oftwentieth-century fiction.
As W.H. Auden wrote, Kafka is important to us because his predicament is the predicament of modern man.
Kafkas survey of the insectile situation of young Jews in inner Bohemia can hardly be improved upon: With their posterior legs they were still glued to their fathers Jewishness and with their wavering anterior legs they found no new ground. There is a sense in which Kafkas Jewish question (What have I in common with Jews) has become everybodys question, Jewish alienation the template for all our doubts. What is Muslimness What is femaleness What is Polishness These days we all find our anterior legs flailing before us. Were all insects, all Ungeziefer, now.
Zadie Smith
Kafka engaged in no technical experiments whatsoever; without in any way changing the German language, he stripped it of its involved constructions until it became clear and simple, like everyday speech purified of slang and negligence. The common experience of Kafkas readers is one of general and vague fascination, even in stories they fail to understand, a precise recollection of strange and seemingly absurd images and descriptionsuntil one day the hidden meaning reveals itself to them with the sudden evidence of a truth simple and incontestable.
Hannah Arendt
Franz Kafka was born in 1833 to a well-to-do middle-class Jewish family. His father, the self-made proprietor of a wholesale haberdashery business, was a domineering man whose approbation Franz continually struggled to win. The younger Kafka's feelings of inadequacy and guilt form the background of much of his work and are made explicit in his "Letter to His Father" (excerpted in this volume), which was written in 1919 but never sent. Kafka was educated in the German language schools of Prague and at the city's German University, where in 1908 he took a law degree. Literature, however, remained his sole passion. At this time he became part of a literary circle that included Franz Werfel, Martin Buber, and Kafka's close friend Max Brod. Encouraged by Brod, Kafka published the prose collection Observations in 1913. Two years later his story "The Stoker" won the Fontaine prize. In 1916 he began work on The Trial and between this time and 1923 produced three incomplete novels as well as numerous sketches and stories. In his lifetime some of his short works did appear: The Judgment (1916), The Metamorphosis (1916), The Penal Colony (1919), and The Country Doctor (1919). Before his death of tuberculosis in 1924, Kafka had charged Max Brod with the execution of his estate, ordering Brod to burn the manuscripts. With the somewhat circular justification that Kafka must have known his friend could not obey such an order, Brod decided to publish Kafka's writings. To this act of "betrayal" the world owes the preservation of some of the most unforgettable and influential literary works of our century.