Kim Jiyoung, Born 1982: The international bestseller
By (Author) Cho Nam-Joo
Translated by Jamie Chang
Simon & Schuster Ltd
Scribner UK
7th April 2021
21st January 2021
United Kingdom
General
Fiction
Fiction in translation
895.735
Paperback
176
Width 130mm, Height 198mm, Spine 13mm
The multi-million copy selling, international bestseller
Kim Jiyoung, Born 1982 is the South Korean sensation that has got the whole world talking. The life story of one young woman born at the end of the twentieth century raises questions about endemic misogyny and institutional oppression that are relevant to us all.
A GUARDIAN 'ONE TO LOOK OUT FOR 2020'
A RED MAGAZINE 'CAN'T WAIT TO READ' BOOK OF 2020
Riveting, original and uncompromising, this is the most important book to have emerged from South Korea sinceHan Kangs The Vegetarian.
This is a book about the life of a woman living in Korea; the despair of an ordinary woman which she takes for granted. The fact that its not about someone special is extremely shocking, while also being incredibly relatable. Sayaka Murata, author of Convenience Store Woman
Kim Jiyoung is a girl born to a mother whose in-laws wanted a boy.
Kim Jiyoung is a sister made to share a room while her brother gets one of his own.
Kim Jiyoung is a female preyed upon by male teachers at school. Kim Jiyoung is a daughter whose father blames her when she is harassed late at night.
Kim Jiyoung is a good student who doesnt get put forward for internships. Kim Jiyoung is a model employee but gets overlooked for promotion. Kim Jiyoung is a wife who gives up her career and independence for a life of domesticity.
Kim Jiyoung has started acting strangely.
Kim Jiyoung is depressed.
Kim Jiyoung is mad.
Kim Jiyoung is her own woman.
Kim Jiyoung is every woman.
Kim Jiyoung, Born 1982 is the South Korean sensation that has got the whole world talking. The life story of one young woman born at the end of the twentieth century raises questions about endemic misogyny and institutional oppression that are relevant to us all.
Riveting, original and uncompromising, this is the most important book to have emerged from South Korea since Han Kangs The Vegetarian.
[Kim Jiyoung] laid bare my own Korean childhood -- and, let's face it, my Western adulthood too -- forcing me to confront traumatic experiences that I'd tried to chalk up as nothing out of the ordinary. But then, my experiences are ordinary, as ordinary as the everyday horrors suffered by the book's protagonist, Jiyoung. This novel is about the banality of the evil that is systemic misogyny. . . . Jiyoung, like Gregor Samsa, feels so overwhelmed by social expectations that there is no room for her in her own body; her only option is to become something -- or someone -- else.--Euny Hong "New York Times Book Review"
Cho Nam-joo's third novel has been hailed as giving voice to the unheard everywoman. . . . [Kim Jiyoung] has become both a touchstone for a conversation around feminism and gender and a lightning rod for anti-feminists who view the book as inciting misandry . . . [The book] has touched a nerve globally . . . The character of Kim Jiyoung can be seen as a sort of sacrifice: a protagonist who is broken in order to open up a channel for collective rage. Along with other socially critical narratives to come out of Korea, such as Bong Joon-ho's Oscar-winning film Parasite, her story could change the bigger one.--Sarah Shin, The Guardian
Cho's clinical prose is bolstered with figures and footnotes to illustrate how ordinary Jiyoung's experience is.... When Kim Jiyoung, Born 1982, was published in Korea in 2016, it was received as a cultural call to arms.... Like Bong Joon Ho's Academy Award-winning film Parasite, which unleashed a debate about class disparities in South Korea, Cho's novel was treated as a social treatise as much as a work of art.... The new, often subversive novels by Korean women, which have intersected with the rise of the #MeToo movement, are driving discussions beyond the literary world.--Alexandra Alter "New York Times"
Written with unbearably clear-sighted perspective, Kim Jiyoung, Born 1982 possesses the urgency and immediacy of the scariest horror thriller--except that this is not technically horror, but something closer to reportage. I broke out in a sweat reading this book.--Ling Ma, author of Severance
Cho Nam-joo is a former television scriptwriter. In the writing of this book she drew partly onher own experienceas a woman who quit her job to stay at home after giving birth to a child.Kim Jiyoung, Born 1982is her third novel. It has had a profound impact on gender inequality and discrimination in Korean society, and has been translated into 18 languages. Jamie Changis an award-winning translator and teaches at the Ewha Womans University in Seoul, South Korea.