Me

(Paperback)

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Description

Hitoshi Nagano takes a cell phone that a young man named Daiki Hiyama accidentally put on his tray at McDonald's. Hitoshi uses the phone to call Daiki's mother, pretending he is Daiki, and convinces her to wire him 900,000 yen. Three days later, Hitoshi returns home from work to discover Daiki's mother there in his apartment, and she seems to truly believe Hitoshi is her son. Hitoshi's own parents now treat him as a stranger; they, too, have a 'me' living with them instead of Hitoshi. At a loss for what else to do, Hitoshi begins living as Daiki, and no one seems to bat an eye.

Reviews

The premise of this funny and ultimately disturbing novel hinges on a telephone scam rife in Japan: someone--typically elderly and ill-accustomed to cellphones--gets a call from somebody saying only 'it's me' and frantically pleading for help, usually in the form of wired cash. But when the novel's main character tries the scam, he's drawn into a bizarrely warped reality in which the scam itself seems to be cloning and scrambling the identities of the scammers--a reality in which it really is 'me.' I was quietly thrilled throughout.
--Open Letters Monthly, Best Books of 2017: Science Fiction and Fantasy

An eerie exploration of the comforts and terrors of conformity, ME is part parable, part nightmare, part slapstick comedy, and part something I'm not sure has any label at all.
--The Weekly Standard

ME is a searing critique of how the individual's sense of self erodes under the weight of modern urban culture in Japan. As Hoshino tilts the reader into a schizophrenic questioning of identity, it is easy to forget how the story started: a common, two-bit crime in a McDonald's. The ease with which Hoshino leads Hitoshi--and the reader--into a vertiginous alternate reality is so seamless that the novel requires a second read to fully appreciate its nuances. A testament to Hoshino's imagination and ambition, ME is a delightfully surprising and bizarre story which develops into a masterful interrogation of how individuals and families come to terms with themselves in an ever-evolving society that is often just as confused as the people themselves.
--Harvard Review Online

A cell phone stolen on a whim turns into a full-blown scam when Hitoshi pretends to be someone else to line his own pockets, but he quickly finds his deception is unnecessary--everybody, even his own mother, sees him as the man whose identity he stole. In this reflective novel, Tomoyuki Hoshino explores the nature of identity while providing commentary on Japanese society as a whole.
--World Literature Today

It's an excellent take on the problems of Japanese society, looking at what it means to play your role in the community while keeping a sense of individuality. However, in Hoshino's trademark style, what starts off as a story based in reality very quickly pushes the envelope in terms of everyday life, soon taking us into far more speculative territory.
--Tony's Reading List (blog)

Tomoyuki Hoshino's ME is a daring literary triumph, unlike any book you're likely to read this year or any other. Inventive, absurd, and thrilling, Hoshino draws upon the work of a wide array of literary masters--Abe, Camus, Vonnegut, and Chandler--to create a character and world that's wholly unique. A thoughtful, somewhat surreal exploration of the darkest self-reflexive tendencies of this modern moment. I strongly recommend it.
--Joe Meno, author of Marvel and a Wonder

There is more than a little of a great episode of Black Mirror in Tomoyuki Hoshino's funny, frightening ME. But ME is considerably more than a clever premise, and as I moved deeper into mental and physical dislocation alongside its hero, I felt my own sense of reality being pulled apart. Hoshino's sharp, understated prose, in Charles De Wolf's excellent translation, is what makes this incredible journey possible. The whole is both pleasurable and profound.
--Laird Hunt, author of The Evening Road

Author Bio

Tomoyuki Hoshino was born in 1965 in Los Angeles, but moved to Japan when he was two. He made his debut as a writer in 1997 with the novella The Last Gasp, which won the Bungei Prize. His novel The Mermaid Sings Wake Up won the Mishima Yukio Prize, and Fantasista was awarded the Noma Literary New Face Prize. His other novels include Lonely Hearts Killer and The Tale of Rainbow and Chloe. ME is his latest novel.

Kenzaburo Oe is considered one of the most dynamic and revolutionary writers to have emerged in Japan since World War II, and is acknowledged as the first truly modern Japanese writer. He is known for his powerful accounts of the atomic bombings of Hiroshima and his struggle to come to terms with a mentally handicapped son. His prolific body of work has won almost every major international honor, including the 1989 Prix Europalia and the 1994 Nobel Prize for Literature. His many translated works include A Personal Matter (1964), Teach Us to Outgrow Our Madness (1969), The Silent Cry (1967), Hiroshima Notes (1965), and Nip the Buds, Shoot the Kids (1958).