The Light at the End of the World

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Delhi, the near future- Bibi, a low-ranking employee of a global consulting firm, is tasked with finding a man long thought to be dead but who now appears to be the source of a vast collection of documents. The trove purports to reveal the secrets of the Indian government, including detention centers, mutated creatures, engineered viruses, experimental weapons, and alien wrecks discovered in remote mountain areas. Bhopal, 1984- an assassin tracks his prey through an Indian city that will shortly be the site of the worst industrial disaster in the history of the world. Calcutta, 1947- a veterinary student's life and work connect him to an ancient Vedic aircraft that might stave off genocide. And in 1859, a British soldier rides with his detachment to the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each protagonist must come to terms with the buried truths of their times as well as with the parallel universe that connects them all, through automatons, spirits, spacecraft, and aliens. The Light at the End of the World, Siddhartha Deb's first novel in fifteen years, is a magisterial work of shifting forms, expanding the possibilities of fiction while bringing to life the India of our times. Connecting India's tumultuous 19th and 20th centuries to its distant past and its potentially apocalyptic future, this sweeping tale of rebellion, courage, and brutality reinvents fiction for our time. Delhi, the near future- Bibi, a low-ranking employee of a global consulting firm, is tasked with finding a man long thought to be dead but who now appears to be the source of a vast collection of documents. The trove purports to reveal the secrets of the Indian government, including detention centers, mutated creatures, engineered viruses, experimental weapons, and alien wrecks discovered in remote mountain areas. Bhopal, 1984- an assassin tracks his prey through an Indian city that will shortly be the site of the worst industrial disaster in the history of the world. Calcutta, 1947- a veterinary student's life and work connect him to an ancient Vedic aircraft that might stave off genocide. And in 1859, a British soldier rides with his detachment to the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each protagonist must come to terms with the buried truths of their times as well as with the parallel universe that connects them all, through automatons, spirits, spacecraft, and aliens. The Light at the End of the World, Siddhartha Deb's first novel in fifteen years, is a magisterial work of shifting forms, expanding the possibilities of fiction while bringing to life the India of our times.

Reviews

Praise for The Light at the End of the World

A New York Times Book Review Editors Choice
Library Journal Best Literary Fiction of 2023

Extraordinary . . . I was in awe of Debs imagination and razor-sharp prose. The hallucinatory quality of his narrative reminded me of William Burroughss Naked Lunch, while its apocalyptic trajectory had echoes of Cormac McCarthys Blood Meridian . . . That the novel invokes a glorious past, hints at a utopian future and contradicts reality could be the authors way to protest an authoritarian government skilled in just that . . .Whatever the authors intent, I felt privileged to have been on an odyssey quite unlike any other.
Abraham Verghese, The New York Times Book Review

The Light at the End of the World is full of intriguing puzzles and opacities, but what brings it to life is less its inventiveness than its galvanizing anger, its outraged awareness of exploitation and cruelty. It travels, unbounded, into the past and the future, yet it always meets the reader in the middle of these destinations, the broken world of the present.
Sam Sacks, The Wall Street Journal

While few authors explicitly set out to record the Modi era, there is a group of Indian writers . . . whose works illuminate the realities of life in the worlds biggest, if beleaguered, democracy . . . Deb [is] brilliant at peeling back the faade of promised prosperity to reveal those shut out from dreams of a shining future.
Financial Times

With its liminal characters and phantasmagoric specters, The Light at the End of the World constantly moves between the realms of the technological and the human, the past wounded by colonialism and the bleak biomes of the future. It is an enraged epic but also one full of humanity; its various epochs of bigotry, intolerance, and hate are interspersed with tender moments of solidarity, love, and compassion.
The Nation

Deb explores a range of alternative explanations for and ramifications of historical events . . . Working in a speculative mode, Deb imagines a kind of agency for his characters barred to them by historical, and present, realities.
The New Republic

Mixing fact and fiction, realism and mythology, Deb offers an unrestrained, inventive, and utterly absorbing re-imagining of Indias history and present day.
Bustle

An epic, time-traveling portrait of India featuring spacecraft, spirits and aliens.
The Recast, POLITICO

Anovel that so brazenly refuses domestication, scorning our grand ideas about what a novel should be, blending realism and mythology, human and machine, the ordinary and the strange, bygone worlds and worlds to come.
World Literature Today

An epic story that spans centuries and weaves together in unexpected and thought-provoking ways.
BookBub

On paper, Debs novel sounds familiar to other decades-spanning novels that blend the historic with the speculative, especially David Mitchells Cloud Atlas and Namwali Serpells The Old Drift. But Debs book throws an element of delirium into the mixits here the reading while sick factor came into playwhich takes this strange, sprawling novel into a territory of its own . . . A heady trip into the unexpected, and one whose transformations and contradictions make for a searingly effective narrative.
Tor.com

Deb constructs an intricate version of an India where the historical present connects to a parallel sci-fi world. Light is an epic that calls to mind David Mitchell, Octavia Butler, and Gabriel Garcia Marquez, but the author creates his own particularly chilling atmosphere.
Bethanne Patrick, CultureWag

STUNNING . . . Deb really wants us to question the truths we accept about India, its future, its past, and the role of the individual.
The Lakshmi and Asha Show

Innovative.
Khabar Magazine

The Light at the End of the World is one of the most original works of fiction to come out of India these last few years . . . An unforgettable picture of India perpetually under siege but also perpetually rebelling to free itself, whether the adversaries be white-skinned colonizers in the past or brown-skinned CEO robber-barons in the present.
Reader's Digest India

Captivating . . . A novel where dystopia meets imperial gothic and colonial historical fiction to breath-taking effect.
Open Magazine (India)

Unlike any other recent work of Indian fiction . . . Through its chimaeras and fantasies, The Light at the End of the World illuminates the secret stories under the surface of our lived reality. It leaves you feeling disoriented and thrilled at the same time.
The Wire (India)

A sprawling epic spanning centuries, this book is both a pilgrimage and an adventure through India and its history.
The Hindu (India)

Debs work is a razor-sharp and vast investigation of Indias rich historical fabric, mixing mythology and mysticism with real-world events . . . An innovative and thought-provoking novel that will appeal to those wanting a thorough and immersive investigation of Indias past, present, and future.
Storizen (India)

A brave novel that demands brave readers . . . More than anything else, Light is a chronicle of the 21st century intellectual defeated by the forces of modernity, which have been twisted beyond recognition by a capitalism that has shut off all avenues of escape.
The Markaz Review

A work of geniusimpassioned, singular, hallucinatory, uncannySiddhartha Deb has invented a new kind of subcontinental novel.
Karan Mahajan, author of The Association of Small Bombs

Big, ambitious, inventive, sweeping, and instantly addictive, The Light at the End of the World announces itself as a new kind of Great Indian Novela kind Ive been craving. I was instantly hooked.
Sanjena Sathian, author of Gold Diggers

An ambitious, century-spanning book . . . Myth blends into technology, beast into human, and flesh into machine in Debs chilling, precisely rendered prose. An indelible, prophetic novel.
Madhuri Vijay, author of The Far Field

Siddhartha Deb has captured the darkness of India today in this ghostly and chilling novel. It is hard to think of finer writers and harder still to think of writers that can match Debs grace and talent when writing about this terrifying, turbulent world of ours.
Fatima Bhutto, author of Songs of Blood and Sword

In a world where facts have indeed become stranger than fiction and boundaries between the absurd and the real crumble, Siddhartha Debs The Light at the End of the World grapples with themes of colonialism, climate change, pandemics, and the unrelenting political turmoil of fascism . . . In blending myths and imaginations, The Light at the End of the World shines a light on the concealed tales beneath our everyday experiences, leaving readers both bewildered and exhilarated.
Southern Review of Books

A massive novel filled with conspiracies, uncertainty, madness and marvels, the inability to process the wide array of what is noticed and reported, and, indeed, what counts as reality.
Asian Review of Books

An edgy, kaleidoscopic whirlwind of history, politics, culture, and mythology . . .Avisionary dreamlike panorama of India.
Historical Novels Review

A robust collage that reflects a rich, uncanny imagination. In the wide-ranging, rhapsodic novel The Light at the End of the World, unearthed stories illuminate the coverups in the official versions of history.
Foreword Reviews, Starred Review

Deb exquisitely blends Indias past, present, and future in a brilliant, phantasmagoric pilgrimage across time, space, and dimension . . . Combining elements of magical realism and Indian history and mythology, The Light at the End of the World is an imaginative, mind-bending reading experience.
Booklist, Starred Review

Abundantly and realistically detailed, yet spiked with fantastical elements from mysterious cellphone messages to a ticktock army, the four main sections are so rich and so freighted with ideas that each could stand alone as its own novel. Linking them serves to create a strong sense of life in India and a sink-into-it read for lovers of big books.Highly recommended for readers interested in history, politics, and literary fiction.
Library Journal, Starred Review

An ambitious and phantasmagoric epic . . . Like Gabriel Garcia Marquez, the author uses magic realism to shed new light on historical events. Filled with poetic imagery and dialogue, and subtle connections among the stories, this is a novel to get lost in.
Publishers Weekly

A visionary novel . . .Deb has accessed the omnivorous, madcap spirit of Midnights Childrenera Salman Rushdie.
Kirkus Reviews


Praise for Siddhartha Deb

Splendid . . . There is a nuance to even the direst of Debs pessimismsan acknowledgement that Indias lives are newly precarious precisely because they could swing either the way of opportunity or the way of ruin.
The New York Times

Author Bio

Siddhartha Deb was born in northeastern India and lives in Harlem, New York. He is the author of the novels The Point of Return, a New York Times Notable Book of the Year, and An Outline of the Republic, longlisted for the International Dublin Literary Award. His nonfiction book, The Beautiful and the Damned, was a finalist for the Orwell Prize and received the PEN Open award. Deb's journalism and essays have appeared in The New York Times, The Guardian, The New Republic, n+1, The Nation, and Dissent. Visit him online atsiddharthadeb.com.