Parts per Million

(Paperback)

Publishing Details

Classifications

Physical Properties

Description

Distribution of early galleys (starting in spring 2017) and ARCs (starting late September 2017) to media outlets, reviewers, bloggers, magazines, and key booksellers and librarians

National tour

Bookseller outreach, including a PNBA appearance, Oct. 2017, at the 7 Up-and-Coming Event, Portland, OR

Author interviews: radio, TV, print, and online venues

Reviews targeting Publishers Weekly, Kirkus, Library Journal, Booklist, The Bookforum, O Magazine, People, Dissent

Politically relevant coverage targeting The Washington Post, the Chicago Tribune, Dissent, and other environmental magazines, newspapers, and online outlets

Regional coverage targeting Portland-area media, including the Oregonian, Portland Mercury, Portland Monthly, Portland Tribune, Eugene Register-Guard, Willamette Week, KBOO's "Between the Covers," Sheila Hamilton's "Speaking Freely," and OPB's State of Wonder

Other coverage targeting The Rumpus, Entropy Magazine, Necessary Fiction, Huff Post, Fiction Writers Review, Writing Under Pressure, Lit Reactor, and more

Excerpts targeting Literary Hub, Necessary Fiction, and others

Environmental activist outreach through nonprofits

NetGalley, Edelweiss, and Goodreads ARC giveaways

Social media including blog appearances, excerpts, Twitter, Facebook, and honing a strategy with Forest Avenue's social media strategist

Promotions on author's website, juliastoops.com, the author's book website, partspermillion.net, and the publisher's website, forestavenuepress.com

Publicity and promotion in conjunction with author's speaking engagements

Reviews

Parts per Million effortessly weaves the personal with the political in this relentless page-turner. Part psychological thriller, part hard-boiled noir, the characters are fresh, real and alive. With a lightness of touch and an uncanny ear for great dialogue, Julia Stoops tells the story of four activists in a time of war, their moral and emotional conflicts, their betrayals and their small acts of heroism. Parts per Million reads like the bastard offspring of Graham Greene and Naomi Klein. Robert Newman, author of The Fountain at the Center of the World While Julia Stoops documents activism of the early 2000s, Parts per Million couldnt feel more relevant today. The struggle to remain faithful to the idealsand hard workof activism, the thrill of the rare, hard-won victory, and the navigating of personal politics, gives this book a thrilling narrative and makes it an inspired wake-up call to all of our inner activists. Ben Parzybok, author of Sherwood Nation The little-known history of West Coast, Left Coast eco-activism in the early Aughts bursts to life in this timely and important book, full of finely drawn characters and outrageous intrigues. Eco-fiction at its finest, Parts per Million is one of the origin stories of the resistance, and a primer for the fight to come. Susan DeFreitas, author of Hot Season Parts per Million is a cry for justice and a journey through the heart. Julia Stoops brilliantly conjures the social and political unrest of the early 2000s. The war drums, the resistance, the secretive birth of the surveillance stateall lit by deep emotional honesty. Stoopss keen eye sweeps us into the lives of three Portland activistsseparate souls shakily united by a cause, a house, and a radiant artist/ex-junkie named Deirdre, who simultaneously illuminates and complicates their struggles. Compelling and deeply compassionate, Parts per Million takes us to a time and place we thought we could forget, but cant, and shouldnt. Reading it may be the surest way to understand who we were then, andin the tumult of our timeswho we need to be today. Scott Sparling, author of Wire to Wire In her carefully thought-out debut novel Parts per Million, Julia Stoops gives us a team of young, and not-so-young political activists at the beginning of the twenty-first century, working overtime to correct what they see as dangerous if not disastrous forces at work in the American political status quo. Stoopss adroit involvement of digital technology in the story gives a lively real-world edge to the presentation. Like a heartbeat against the center of the novels environmental and war concerns is a love relationship laden with hopes, dreams and challenges familiar to the times. Parts per Million is a timely and stimulating fictional look at the difficult and too often thankless task of defending the planet. Harold Johnson, author of The Fort Showalter Blues "The page-turning plot would be reason enough to read Parts per Million, but Julia Stoops gives us characters so fully developed the novel feels like theater-in-the-round. The questions they ask themselves are central to our timeshow do we live ethical lives in the face of so much institutionalized greed If the personal is political, how can we turn away from anyone in crisis Stoops takes us on a joyride through the political turmoil of the early twenty-first century, bringing anti-war protests and direct action environmentalists vividly to life. Her characters may wear their political hearts on their sleeves, but its their internal struggles that capture our attention, and make this story such a rich and timely read." Stevan Allred, author of A Simplified Map of the Real World

Author Bio

Julia Stoops was born in Samoa to New Zealand parents, and grew up in Japan, Australia, and New Zealand. She moved to Washington, D.C. in her teens, where she received a BFA from the Corcoran College of Art and Design. Back in New Zealand, Julia studied Philosophy and Linguistics at the University of Auckland, where she received a BA. She endured New Zealand's Rogernomics recession of the early '90s, and finally got her first real break teaching in tertiary level art and design programs. Because of her Corcoran experience, Julia wanted to return to the US. She and her husband chose Portland, Oregon as their immigration destination, and have lived there since 1994. Julia received an MFA in Painting from Portland State University, and taught for 13 years at the Pacific Northwest College of Art, creating new courses in media studies, hybrid art methodologies, and the history of ideas. Then she moved into her current career as a web designer, and she also has experience in alternative radio news journalism and anti-war activism. Julia received Oregon Arts Commission fellowships for visual arts and literature, and was a resident at the Ucross Foundation in 2016.