The Collected Stories Of Diane Williams
By (Author) Diane Williams
Introduction by Ben Marcus
Soho Press Inc
Soho Press Inc
10th September 2019
12th September 2019
United States
General
Fiction
Fiction: general and literary
813.54
Paperback
784
Width 140mm, Height 210mm
With over three hundred new and previously published short stories as well as three novellas, The Collected Stories of Diane Williams brings together distilled works of "unsettling brilliance" (Vanity Fair) that have rewritten the rules of American short fiction. From Ben Marcus' introduction to The Collected Stories of Diane Williams- "Diane Williams has spent her long, prolific career concocting fictions of perfect strangeness, most of them no more than a page long. She's a hero of the form- the sudden fiction, the flash fiction, whatever it's being called these days. The stories are short. They defy logic. They thumb their nose at conventional sense, or even unconventional sense. But if sense is in short supply in these texts, that leaves more room for splendor and sorrow. These stories upend expectations and prize enigma and the uncanny above all else. The Williams epiphany should be patented, or bottled-on the other hand, it should also be regulated and maybe rationed, because it's severe. It's a rare feeling her stories trigger, but it's a keen and deep and welcome one, the sort of feeling that wakes us up to complication and beauty and dissonance and fragility."
An A.V. Club 10 Favorite Reads of 2018
A PopMatters Best Short Story Collection of 2018
A Bright Young Things Best Book of 2018
Praise for The Collected Stories of Diane Williams
Erudite, elegant and stubbornly experimental.For any writer, an omnibus collection is a triumph. To see years of Ms. Williams confounding fictions collected in so hefty a volume is like seeing snowflakes accrue into an avalanche.
Rumaan Alam, The New York Times
This book will rewire your brain.
NPR'sPop Culture Happy Hour
The godmother of flash fiction.
The Paris Review
Diane Williams seeks to stun, in something near the literal sense of the word . . . There are no first sentences full of orienting details, no dramatic dialogue, no neat epiphanies in a story's final lines. A concluding sentence is more likely to open up a story than to resolve it.
The New Republic
Full of funny, libidinal and invigorating enigmas . . .Readers who love the arresting phrase, the surprising word, will gravitate to her . . . Itsperfect to leave on the bedside table, to be consulted before ones dreamlife begins.
The London Review of Books
[Williams'] stories court laughter first, then, and only in retrospect, long-accumulated tears: tears of regret for opportunities lost, for people mislaid; tears of despair for the strangeness, the separateness that intimacy reveals and fails to overcome. You don't have to read all three hundred and five stories to get the point (Though you should. Williams can do more with two sentences than most writers can do with two hundred pages).
Merve Emre, The New York Review of Books
Savage, wild, sideways stories flirt with reality and sever you from your roots, only to bring you back changed.
San Francisco Chronicle
The worldso-called civilizedis Williams oyster, and her prose shucks like a knife to open a manifold view of the quivering human meat within.
Austin Chronicle
Describing one of Diane Williams stories inevitably takes more words than those in the story itself. And there is something equally wonderful about the dissonance between the sheer size of the megalithic [The] Collected Stories of Diane Williams and the conciseness of the perplexing, beautiful texts within. I have always been drawn to books that can be opened at random and still provide a full reading experience. This volume is that and more. It reminds me of Borges book of sand, which has neither a beginning nor an end because its pages multiply infinitely as one turns them.
Hernn Diaz,In the Distance
One of few true originals writing today, the author revels in confusions left unexplained, tensions unresolved . . . The result isa heady immersion into Williams wit and the often unsettling situations she throws her characters into, tracing the preoccupations, from sex to selfhood to death, of one of American literatures most unique voices.
The A.V. Club
A literary event of great import.
KBOO'sBetween the Covers
The classic short story of posterity is a sprawling black hole, pussyfooting around a nub of recognizable truth for pages and pages, while Williams nails it in one.
The Baffler
A once-in-a-generation event, a cause and effect of authorial significance.
Literary Hub
This is an omnibus collection that belongs on the shelves of every reader who admires the short story form.
PopMatters
Imagine little sparks of Old Testament prophets and Edward Gorey and Robert Coover and something else I cant quite pin down (Dorothy Parker, maybe) fizzing away and doing cool things to your brain.
Bright Young Things
Apleasure for readers attentive to both language and story.Fans of flash fiction will want to study at the feet of this master of the form.
Kirkus Reviews
Williams creates clipped fictions that are designed to seduce . . . The experience is often unsettling, but her mini-roller-coasters offer a hell of a ride.
The Arts Fuse
Praise for Diane Williams
Diane Williams is one of the true living heroes of the American avant-garde. Her fiction makes very familiar things very, very weird.
Jonathan Franzen
Williams short precise, and emphatic sentences build a strange society whose denizens are not quite familiar to us and not quite comfortable with their own quietly disturbing evolutions. Not a single moment of the prose, here, is what you expect, and even the ordinary is, in the context created by Diane Williams, no longer ordinary. It is fresh, happy and peculiaror is it we who are refreshed, happy, and more preculiar than before after reading her
Lydia Davis
One of America's most exciting violators of habit.
Los Angeles Times
Flash fictions that are often beautiful but impenetrable, structured like little riddles to unspool. While it is easy to compare Williams' work to that of Lydia Davis, another expert writer of absurdist shorts, this collection stands in its own category as defiantly whimsical and weird . . . Williams creates stories that can be consumed in small bites. But she provides enough material in each to chew over for an entire meal.
The New York Times
Let's hear it for the magnificent Diane Williams, one of the wittiest and most exacting writers of our time. Her fictions are fervid endorsements of terrible, joyous life. But that's not quite right, because like all great literature, theyarelife.
Sam Lipsyte
Diane Williams is hilarious, brilliant, eccentric, powerful, and, luckily,ours.
Deb Olin Unferth
Discomfitingly and devastatingly funny, Williams upends the mundane, the painful, and the unusual, resultingmuch in the way an art teacher might ask her class to copy a photograph upside-downin precision and clarity.
Elle
[Williams'] details are always precise, and her masterful prose distills her fictional worlds down to bright, brief moments . . . We can feel 'the mysteries of daily life' pulsing through Williams keenly observed, contemplative tales.
San Francisco Chronicle
Her work is certainly odd, but it's also poetic, passionate, and precisely crafted. Her strange voices linger in the mind. Part of the pleasure of reading Williams is you have no idea what's coming next. Don't fret. These marvelous stories do have a beginning, middle and an endjust not necessarily in that order.
Los Angeles Times
Diane Williams is the founder and editor of the distinguished literary annual, NOON, the archive of which, as well as Williams' personal literary archive, was acquired in 2014 by the Lilly Library.She is the author of eight previous volumes of short fiction. She lives in New York City.