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Vexations

(Paperback)


Publishing Details

Full Title:

Vexations

Contributors:

By (Author) J. E. Grigsby

ISBN:

9781483585062

Publisher:

BookBaby

Imprint:

BookBaby

Publication Date:

23rd March 2017

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Fiction

Main Subject:
Dewey:

FIC

Physical Properties

Physical Format:

Paperback

Number of Pages:

140

Dimensions:

Width 139mm, Height 215mm, Spine 10mm

Weight:

204g

Description

Montmartre in the 1890s is a well-known haven for artists and bohemians. Here at the crest of the hill, inside a tiny apartment at No. 6 Rue Cortot, lives Erik Satie. He is known only as a poor, eccentric musician of the shadow theatre at Le Chat Noir. But Claude Debussy declares, My friend Erik is a composer.

Suzanne Valadon lives two doors down at No. 2 Rue Cortot. She is known as a model and mistress to the finest living painters, even the great Renoir. But Toulouse-Lautrec insists, My friend Suzanne is an artist.

Erik Saties love for Suzanne Valadon will call into question his own notions of art and success, truth and desire, causing a condition he refers to asVexations.

Walk with Erik and Suzanne along the streets of Paris in La Belle poque. Travel in time with Satie, the Great Precursor; back a century to Karlsbad to conduct J.S. Bachs court ensemble, forward a half-century to New York City to advise John Cage about Furniture Music. Discover an extraordinary story of restless spirits and timeless music, referred to asVexations.

Author Bio

J.E. Grigsby founded Rotary Totem in 1984 as a production company for his creative projects, which explore the nexus between music and literature. These include albums with the musical ensembles NIMBY, Motor Totemist Guild, and U Totem. As Glenn Astarita noted in All About Jazz, "Grigsby's music while demanding and complex is also liable to become light-hearted or whimsical...Grigsby's shrewd and at times roguish compositional style is strikingly impressive; hence, his somewhat legendary status in the so-called progressive music industry.

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