The Amtrak Wars: Earth-Thunder: The Talisman Prophecies 6

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Hundreds of years after civilisation has been destroyed by nuclear war, the Earth is divided between the Trackers of the Amtrak Federation a community living in vast subterranean cities and the Mutes, who have evolved to withstand the radiation that has driven their foes underground. A long war for possession of the overground has killed and enslaved many of the Mutes, leaving only the Plainfolk to resist the Federation. And now the Iron Masters a powerful people living in the traditions of the Samurai have joined the battle for dominance. It is time for Steve Brickman, who has long struggled with split loyalties, to finally pick a side. His duty to his own people, the Amtrak Federation, wars against his spiritual bond to the Mute clan MCall. Honoured with promotion into to the First Family, it looks as though Brickman may choose his home over that of his loves, the pregnant Clearwater. But when Clearwater gives birth to his child at the exact moment that Mount Saint Helens explodes, it looks as if the Mute Prophesy has come to fruition. Meanwhile Roz Brickmans powerfully psychic kin-sister and Cadillac, last free living member of the clan MCall, must travel into the treacherous lands of the Iron Masters to stave off a deadly retribution, whilst becoming embroiled in another lands civil war. Now that the First Family believe Clearwaters child to be the Talisman heralded messiah of the Plainfolk their grip tightens as they plan to use this child of prophesy for their own ends. Earth-Thunder, book six of The Amtrak Wars Saga, first published in 1990, concludes Patrick Tilleys internationally best selling science fiction epic.

Author Bio

Patrick Tilley was born in Essex in 1928, but spent his formative years in the border counties of Northumbria and Cumbria. After studying art at King's College, University of Durham, he came to London in 1955 and rapidly established himself as one of Britain's leading graphic designers. He began writing part-time in 1959. In 1968 he gave up design altogether in favour of a new career as a film scriptwriter. Work on several major British-based productions was followed by writing assignments in New York and Hollywood. His books have been translated into several languages, and have achieved cult-novel status.