Ben-Hur

(Paperback)

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Description

Ben-Hur is one of the best selling books of all times. This poignant novel intertwines the life stories of a Jewish charioteer named Judah Ben-Hur and Jesus Christ. It explores the themes of betrayal and redemption. Ben-Hur's family is wrongly accused and convicted of treason during the time of Christ. Ben-Hur fights to clear his family's name and is ultimately inspired by the rise of Jesus Christ and his message. A powerful, compelling novel.

Author Bio

Lewis Wallace (10 April 1827 - 15 February 1905) was a General in the Union Army during the American Civil War, politician and author. Of his novels, his best known is "Ben-Hur: A Tale of the Christ". American comics artist GERALD MCCANN contributed to the legendary Classics Illustrated series. McCann illustrated the adaptation of Alexandre Dumas's 'The Conspiritors', Jules Verne's 'Off on a Comet' and Francis Parkman's 'The Conspiracy of Pontiac' between in 1959 and 1960. He also cooperated on several special issues of the collection, such as 'Crossing the Rockies', 'Royal Canadian Mounted Police' and 'Men, Guns and Cattle'. JOE ORLANDO was born in Bari, Italy, but his family emigrated to the USA and settled in New York City in 1929. He attended the High School of Industrial Art before being drafted into the Army, where he served in the Military Police in France, Belgium and Germany. Back in civil life, he studied at the Art Students League in New York. He published his first comic, the feature 'Chuck White', in titles like Catholic Comics and Treasure Chest. He then opened a small studio with Wallace Wood, where they were joined by young artists like Sid Check and Harry Harisson. Wood and Orlando worked as a tandem on Fox features like 'Dorothy Lamour', 'Martin Kane', 'Frank Buck', 'Judy Canova' and 'Pedro'. When Fox folded in 1950, the discouraged Orlando went to work at a handbag manufacturer, but was soon brought back to comics by Wood, who could use some help with his heavy workload. They shared art duties on comics for Avon ('An Earth Man on Venus', 'Strange Worlds', 'The Mask of Dr. Fu Manchu'), Youthful Magazines ('Captain Science') and Master Comics ('Dark Mysteries'), as well as EC. At EC, he became a solo artist, and was one of the staples of the New Trend's science fiction titles (Weird Science, Weird Fantasy, Weird Science/Fantasy), especially for the 'Adam Link' stories he made with Otto Binder. Orlando also had stories published in the horror and crime titles, as well as the humor title Panic. When EC stopped publishing comic books in 1956, due to Fredric Wertham's campaign against violent comics, Orlando transferred to Stan Lee's Atlas, working on titles like Mystic and Astonishing. Orlando also contributed art for three issues in Gilberton's Classics Illustrated series, namely 'A Tale of Two Cities', 'Caesar's Conquests' and 'Ben Hur'. In 1957, he went back to EC when he became a regular contributor to Mad magazine, among others by taking over 'Scenes We'd Like to See' from Phil Interlandi. In the mid 1990s, he also worked for Marvel's Daredevil and the James Warren magazines Creepy and Eerie. Orlando joined DC Comics in 1966, initially doing art on 'Swing with Scooter' and 'The Inferior Five', before becoming an editor under Carmen Infantino. Besides editing existing titles like 'House of Mystery' (in which he introduced the hosts Cain and Abel) and 'Swing with Scooter', new titles were created under his helm, such as 'Swamp Thing', 'Phantom Stranger', 'Jonah Hex' and 'The Sandman'. He also co-launched and drew for DC's new humor title PLOP! in 1973, and provided magazine art to National Lampoon and Newsweek. At DC he eventually became Vice President and Editorial Director, and even became head of MAD, after the death of Bill Gaines in 1992. In addition, Orlando was a teacher at New York's School of Visual Arts.