Peplum

(Paperback, Main)

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Description

The man known as Blutch is one of the giants of contemporary comics. In everything from memoir to science fiction, using scratchy pen or lush brushwork, color or black and white, his mix of lyricism, bleak humor, and formal audacity is always unmistakable. Peplum may be his masterpiece: a grand, strange dream of ancient Rome. At the edge of the Empire, a gang of bandits discovers the body of a beautiful woman in a cave; she is encased in ice, but may still be alive. A world away, Julius Caesar is slain, and the republic begins to crumble. The bandits, their numbers dwindling, frozen maiden still in tow, make their way toward Rome - seeking power, or maybe just survival, as the world unravels. Vast in scope yet unnervingly intimate, Peplum weaves together threads from Shakespeare and the Satyricon along with Blutch's own distinctive vision. His hypnotic storytelling and stark, gorgeous art pull us into one of the great works of graphic literature, translated into English for the first time.

Reviews

Blutch . . .conjures a whole worldbodies have heft, clothes texture, shadows depth, and visages the mileage of years.With simple, elegant lines, Blutch composes scenes as striking as they are refined, and what at points becomes nightmare for its characters never ceases to be a dream for readers.Shea Hennum,The AV Clubs '25 Best Comics of the 2010s'

Famous in his native France and nearly unknown here, the cartoonist who goes by Blutch (real name: Christian Hincker) has a magnificently expressive line, so bold and ragged that it often looks as if hes snapped his brush in half and is mashing its splintered end into the drawing board. Douglas Wolk,The New York Times Book Review

"Blutchs art is truly exquisite, rendering battles, orgies, and conversations in dense, inky lines akin to Mattotti, but completely his own and completely haunting. . . . The book requires rereading to grasp the scope of storytelling and linework, which is effortless enough to make the greatest American cartoonists jealous." Publishers Weekly

"Peplumchallenges and confounds with its unorthodox story and brutalist graphical style . . . Blutchs line work compels the use of physical descriptors: it seizes, forces, clutches and crams."Etelka Lehoczky,NPR

Blutch works in scratchy black: his lines are elemental and start and his frames hefty . . . His story, too, has an epic quality . . . Haunting and ambiguous, this is a brutal tale not only of endurance, betrayal and mistaken love, but also of a realm whose centre can no longer hold. Rachel Cooke,The Observer(UK)

"Blutch . . . slings ink with lusty and furious brio, sketching out a quest thats part myth, part nightmare and part sorrowful romance."Sean Rogers,The Globe and Mail

"Blutchs chiaroscuro style is breathtaking."Robert Boyd,The Comics Journal

This book isnt so much a book as a procession of images to be beheld, a sensual spectacle to be felt. Its the fervour and rush, seething and surging off Blutchs pages, which leaves the most savage impression. Brian Gibson, Vue Weekly

Blutch is a master. No other cartoonist renders with such casual virtuosity. Its long overdue for his books to be translated into English. Craig Thompson

One of our greatest artists. LExpress

In the hands of the amazing Mr. Hincker (who uses the pseudonym Blutch), a simple pencil takes on the qualities of a magic wand. The New York Times

One of the greatest living cartoonists (and if you dont think Blutch fits this bill you really, really need to read more Blutch). The Comics Reporter

One of the most important European cartoonists of the past 20 years. Robot 6

Author Bio

Blutch is an award-winning, highly influential French cartoonist. He has published almost two dozen books since his 1988 comic debut in the legendary avant-garde magazine Fluide Glacial, including Mitchum, Le Petit Christian, and So Long, Silver Screen, his only previous book to be published in English. His illustrations appear in Les Inrockuptibles, Liberation, and The New Yorker. Edward Gauvin has translated over 150 graphic novels, and is a two-time winner of the John Dryden translation prize. He is the contributing editor for Francophone comics at Words Without Borders.