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High Magic II: Expanded Theory and Practices


Publishing Details

Full Title:

High Magic II: Expanded Theory and Practices

Contributors:

By (Author) U.D. Frater

ISBN:

9780738710631

Publisher:

Llewellyn Publications,U.S.

Imprint:

Llewellyn Publications,U.S.

Publication Date:

8th October 2008

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Dewey:

133.43

Physical Properties

Number of Pages:

480

Dimensions:

Width 190mm, Height 232mm

Description

Europe's best-known ceremonial magician and contemporary occult author, Frater U D, is back with the companion volume to his highly acclaimed "High Magic". Previously unavailable in English, this advanced guide to high magic has been eagerly awaited by ceremonial magicians, mages, and hermetic practitioners. "High Magic II" explores the theory and practice of a variety of types of magic, including mirror magic, mudras, sigil magic, shamanism, magical orders, folk magic, demonic magic, divination, and letter magic.The book also delves into magic and yoga, magic in the Bible, the practical Kabbalah, forms of initiation, and the magic of Ancient Egypt and the late Hellenistic period. Many provocative areas of magical practice are addressed, some of them for the first time in an English-language book. This comprehensive course is presented as teachings followed by practical experimentation, a time-honoured method that has proven to be highly effective for many thousands of magical practitioners.

Reviews

"Frater provides 422 pages of effective education on the universal laws that make magic work. Even seasoned magicians will find High Magic a valuable handbook."

Author Bio

Frater U\ D\, founder of Pragmatic and Ice Magic, lives in Belgium and is Europe's best known practical magician and contemporary occult author. He has lived in Africa and Asia and trained with yoga and tantra masters and has studied languages and literature at the Universities of Bonn and Lisbon. He has written more than twenty-five e-books and is recognized for his practical and non-dogmatic approach to the Black Arts.

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