Catherine the Great and the Culture of Celebrity in the Eighteenth Century

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This highly original study provides a detailed analysis of Catherine the Greats celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agentsintriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print makers, newspaper editors, playwrights, and morethe 18th-centurys media workerslaboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarinas fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherines skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine IIs demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity even now the only woman in history widely known as the Great.

Reviews

Ruth P. Dawsons meticulously researched and copiously illustrated study of Catherine the Great as a pathbreaking modern female celebrity traces the emergence of stardom and fandom during the eighteenth century. It has implications for transnational history and politics, ideas of gender and sexuality, nascent feminism, imperial self-fashioning and branding, not to mention evolving international communications and the mediated, mutual interplay of lay and aristocratic culture in the period. Its a fascinating examination of a famous but understudied figure at the center of Enlightenment European life and the popular imagination. * Alessa Johns, Professor Emerita, University of California, Davis, USA *
Elegantly written, this is a brilliant book whose author has mastered her subject matter. Particularly fascinating is the expertise and critical care with which Ruth P. Dawson analyses the many different sources on which her narrative is based. It is not only this immense wealth of sources that is impressive. Time and again, one is also fascinated by what she can elicit from them. A genuine model of historical research! * Falko Schnicke, Senior Lecturer, Institute for Modern History and Contemporary History, Johannes Kepler University Linz, Austria *

Author Bio

Ruth P. Dawson is Professor Emerita of Women's Studies at University of Hawaii at Manoa, USA and Honorary Fellow at the Institute of Modern Languages Research, School of Advanced Studies, University of London, UK. She is the author of The Contested Quill: Literature by Women in Germany, 1770-1800 (2002).